#disclaimer i am NOT saying the entire fandom is like this AND i am speaking as an army and stay myself

[hotteoki]

great day to be a twt armytiny 😐

[harrysgal]

I DIG YOUR CINEMA (4)

harry styles x yn aspiring filmmaker — social media AU

I am actually a little bit nervous about this part, so I hope you enjoy it.

About the smau: yn starts posting videos on youtube and is trying to build a career as a filmmaker. Things are going pretty well for her and she starts getting more attention when she creates content about shows she goes to. She’s also a fan of Harry’s music and some of his fans start getting suspicious when his team starts interacting with her.

Disclaimer: The story it’s set in 2021 and it will follow their relationship through the LOT leg in the US. Since this is nothing but fiction, I will be following some of the real timeline but also adding my own stuff. On top of that, I won’t be basing myself on Harry’s actual posts.

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PART 3 — DENVER // MASTERLIST

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I DIG YOUR CINEMA (PART 4) — THE VIDEO

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liked by bestfriend, anthonypham, mollyjane_x and 59,302 others 

yourinstagram im sorry its taken me so long to show up. i thought time would give me the ability to find some words to say, but as it turns out im much better at telling things through a camera than through a pen (or a keyboard, in this case). when i posted my first video on youtube, all i wanted was to find myself again after finally getting free from a relationship that drained the fun out of me. making movies is something that ive always been passionate about, so i thought — why not? three months later, when i posted my first video at a concert, all i wanted was to tell the story of a woman who, after raising two kids and giving everything she had to make everyone around her happy and safe, finally had the opportunity to make one of her most “innocent” dreams (seeing shania twain) come true. fast forward to this week, as i post my latest video all i want is to tell the story of a man who has the entire world in the palm of his hand and yet lives his life as if he’s merely another ordinary soul on earth. what happens now, and what you do with this story (or with any other ive already told), its not up to me anymore. 

that all being said, thank you harry for trusting me with this story. it wasn’t mine to tell, but you allowed me to do it anyway and i’ll always be grateful for that. so, again, thank you. 

ok i will stop typing now. 

actually, im just gonna add that i hope you all enjoy this video as much as i do (but if you don’t, thats fair, and i’ll accept it just as much) 

ok, now im done :) 

view all 11,073 comments

lookitsnyoh 👑👑👑👑👑 harryfan9 this was so much more than we’ve asked for 🙏🙏🙏 user1 its been almost 24 hours since you posted this video and im still 😲!! YOU’RE INCREDIBLE  user5 absolutely amazing! unexpected, captivating, touching… 10/10! yourbrother Kinda sucks that I don’t even feel like teasing you this time. I’m just proud.

↳ sisterinlaw Printed and framed already. ↳ yourinstagram … i dont even know what to say right now ↳ yourinstagram ＠sisterinlaw i’ll need a copy of that pls 

harryfan your mind is so brilliant im so in love with this and i know i speak for the entire fandom when i say: THANK YOU 😭

↳ harryfan5 no really bc we’re so used to getting practically nothing that she coulve just done anything and we would’ve still died… and yet she gave us THIS?  ↳ harryfan7 yn deserves the best in life period ↳ harryfan54 c’mon… it’s not THAT good

harrystyles 😲 so this was my story you were telling? 

↳ yourinstagram i kept my side of the promise, didnt i? you were supposed to keep yours ↳ harrystyles fair enough. you’re welcome x  ↳ yourinstagram 😌😌😌😌😌 ↳ yourinstagram thank you ↳ harrystyles you’re welcome x ↳ harryfan25 OMFGDSGFUAGFBH ↳ harryfan11 ＠yourinstagram ＠harrystyles sorry guys do you want us to leave you two alone?  ↳ harryfan51 😭😭😭😭😭😭😭  ↳ harryfan17 wdym you kept your side of the promise??? what did you promise????? what is it?????

harryfan10 pls we need more harry content already  user7 Don’t go missing again, we miss you here! 

Sep 9, 2021 •

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liked by yourinstagram, bestfriend, jefezoff and 5,187,031 others

harrystyles I’m honored to say ＠yourinstagram has turned the beginning of this new chapter into a lovely short-movie, one you can watch right now on her youtube channel. 

Thank you Yn for being so caring and respectful about everything and everyone involved in this project. To watch this idea turn into reality has been nothing but inspiring. 

Welcome to the team, it’s too late to back out now. x

view all 203,557 comments

bestfriend this moment is all mine. 20+ years of friendship are FINALLY paying off. 

↳ user3 you’re so unserious i love it fgajdujn ↳ yourinstagram im doing it just for you <3

harryfan5 noooooo I can’t do this my heart can’t take it pls stop 😭😭 harryfan23 I CANT BELIEVE YNS FIRSTS WORDS TO HIM WERE SHUT THE FUCK UP HAHAHAHAHA  annetwist What a wonderful job you’ve done dear ＠yourinstagram 🥰

↳ yourinstagram ❤️ ↳ harryfan54 🙄

harryfan66 who are you and what have you done to the real harry? 🧐

↳ harryfan14 for real tho lmao  ↳ harryfan74 yup. ive been saying it: another strategy just to get a random famous on harrys back. as usual.

harryfan9 NOT HARRY EXPOSING THE FIRST TIME THEY TALKED????

↳ harryfan3 and the fact that HE texted her first???  ↳ harryfan9 pls!!! molly gave me your nUmBeR 🤪🤪

harryfan15 oh you’re so sick for this AHDUAJHDJ  yourinstagram THOSE messages? REALLY???

↳ harrystyles I’ve been explicitly forbidden to post a picture with you so I had to improvise.  ↳ yourinstagram ok but did you also have to conveniently leave my next message out of it? ↳ harrystyles Yes x. 

Sep 9, 2021 •

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PART 5: FROM SAN ANTONIO

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[maxladcomics]

Who is W.D. Gaster?

DISCLAIMER: Generally my theories are my observations with no clear conclusion at the end, the same technically applies for this one. I am not forcing anyone take this as 100% truth because as I'm going to explain, there are potential windows into other ideas/conclusions. I am bringing this up because I haven't seen it brought up and searching for it also returns no results. Also numbers. Also I'm tricking you with the title.

This theory is making the assumption that you have read other W.D. Gaster theories, I don't want to dig up every detail that's already been repeated and tbh I wouldn't remember all the details anyway. I am focusing on a point that I KNOW has not been focused on before.

ENTRY SEVENTEEN (Wait Max you just said--)

Ok, obvious point: ENTRY SEVENTEEN. W.D. Gaster speaks in ALL CAPS with no *, a very significant detail of his character, along with his mannerisms in speaking. It's unclear what the lack of * means but it could be related to the fact he has been erased, shattered across time and space, and mostly forgotten.

The room is called "room_gaster", so the connection has already been made here. W.D. Gaster has clearly written this entry, or at least was present for it.

2. THE NUMBER 17

Ok so I don't know if anyone has ever questioned it- but why the number 17? The sound and the fact 17 is spelled out as seventeen most likely means that this entry was spoken.

Is it because 7 - 1 = 6? or 1 + 7 = 8? What would be the significance there?

Early on in Undertale, True Lab Entry 17 did exist, but was never added to the lab directly. It was removed after a future patch, making Entry Seventeen the only one.

But why 17? What does 17 mean?

In Undertale, there are a few things associated with the number 17.

mus_st_him is 17 seconds long, this music is called "Gaster's Theme" in the sound test room.

Still, this seems to line up with W.D. Gaster being connected to the number 17

Junk food, that you can buy from Bratty and Catty, "Food that was probably once thrown away." Discarded? Abandoned? It already has a big bite out of it.

The Abandoned Quiche, heals 34 HP. A psychologically damaged spinach egg pie.

Perhaps this is too excessive, BUT: 2 x 17 = 34

Also Q is the 17th letter of the Alphabet.

If you think the Quiche is bad then this next one is WORSE:

The Deltarune song, Don't Forget. We have a note in Undertale that says "Don't Forget", with 3 characters we don't know.

It is 51 seconds long...

That is 3 x 17.

Discarded like trash, Abandoned because it was too much responsibility.. Forgotten?

3. PAPYRUS IS W.D. GASTER

I would like to tell you that this bastard (affectionate) has been hiding in front of us the entire time. Of course the Papyrus is Gaster fans knew all along, but we are but a small niche of the fandom where the theories can be simply tossed aside with excuses of Papyrus is just a goofy guy, he's just joking, there's no way there's anything serious about him.

Anyway now that I've connected W.D. Gaster with 17, allow me to show you why Papyrus IS Gaster.

In a pacifist run, Papyrus's ATK and DEF are 20

In a murder run, Papyrus's ATK and DEF are 3

That is -17

On Attack number 17 of his battle, Papyrus mentions his special attack. This attack and 3 attacks after are randomized, until Annoying Dog takes his attack, and he uses his 'regular attack'. I have been focusing on the 3 here, but counting the random attacks (4) and Annoying Dog interrupting afterwards, Papyrus has 6 attacks/turns after 17.

There are 16 monsters you have to dust in Snowdin, Papyrus is the 17th.

4. A SMALL NOTE

Papyrus has 680 HP, that can be divided by 17 (either 17 x 40 or 170 x 4) .

EDIT:

Adding another Q = 17 = Abandon item

The FUN values. F is the 6th letter of the alphabet, what do the Fun values do? They change our run in specific ways, meeting characters that don't appear again and getting strange phone calls. There is also something else that starts with F that changes the game completely.

Flowey.. and of course:

Frisk.

These names do not exist in Deltarune, W.D. Gaster has not been shattered.

5. CONCLUSION

17 means Abandoned, discarded, forgotten and forgettable. The close tie in with 3 potentially means that 3 characters have been forgotten already (the 'Don't Forget' is useless).

Despite Papyrus speaking in all caps with no *, it is a possibility that Papyrus is one of the other two in Entry Seventeen, or Entry Seventeen itself is ABOUT Papyrus. But, this also depends on who the Goner Creator is, because that... is ANOTHERHIM.

So Papyrus could be: W.D. Gaster, one of the 2 in entry 17, the Goner Maker, or the Man behind the tree. Maybe two? Maybe all of them? As a treat? Or perhaps he is also something else..

Anyway this theory/observation ties in with my observations with the NUMBER 3, which is great! It was fun, it was easy!! I cannot!! say the same!!! for 8!!!!

[roo-bastmoon]

IN-DEPTH ANALYSIS OF THE CULT'S DYNAMICS

Disclaimers: Sensitive topics are discussed below the cut; please do not incite drama, speak hate, or engage in bullying. I am not a mental health professional; I make no claims of expertise (in anything). This is a collection of my thoughts about what is currently happening on the Taekook side of ARMY, in the hopes that it may help us as a community respond more effectively to the toxic parts of our fandom. If you click below this cut, you are assuming responsibility for your own behavior and agreeing to engage with my blog respectfully, or you will be blocked.

THE NARRATIVES AT WORK

I submit that shipping Taekook is both an evolving conspiracy theory and a living cult.

There are various narratives within this subgroup, but in general, to ship Taekook, one must believe Kim Taehyung and Jeon Jungkook are in a closeted gay romantic relationship.

One also likely believes that their company (both BigHit and Hybe) and everyone around them have always actively hid their gay relationship.

Initially, Taekook (the “real” gay couple) was being hidden by Jikook (the “fake” gay couple) because Jikook was somehow more popular in Korea and therefore considered to be more profitable.

And this was the main narrative for years. It got Jimin dragged and hated online and in real life, to the point there was even a credible shooting threat at a concert.

Now, the narrative is being modified in light of the video footage revealed this week involving Taehyung and Jennie.

If Taekookers accept at all that Jennie and Tae were indeed photographed holding hands in Paris this week, then they likely believe both their companies are using this as a PR Relationship stunt to hide their real gay relationships before military service and comeback projects.

This belief includes:

1) assuming Taehyung and Jennie are not being honest;

2) believing Taehyung and Jungkook have no agency or power within their own companies; and,

3) all of their members and managers are also in on this nefarious plot.

Whether they believe Taennie is just cosplayers in an orchestrated smear campaign, or two actual idols in a PR Relationship, regardless, a large segment of this subgroup still believe that Jimin is the company favorite who gets special treatment.

Therefore, things that should be Taekook’s (such as songs and subunits and couple-like interactions) are instead given to the company’s king of fan service, to the point where Jimin “assaults” Jungkook with “unwanted” attention and physical contact.

THE LOGICAL FALLACIES

As amazingly popular as our Korean It Boy is, I have serious doubts about Jimin being the “company favorite” ever since Hybe took over two years ago.

As the “company favorite,” I’d love it if he got more lines in group songs, or was allowed to film as many music videos as he wanted, or could be given more than 10 days of promotion time for a project he spent a year working on. It would be stellar if the “company favorite” had in-ears that worked correctly during live broadcasts, or was invited onto IU’s show, or could host streaming parties or sell exclusive merch. To say nothing of the “company favorite” getting far more reality show appearances and magazine interviews and a Disney documentary with behind the scenes footage! Heck, I’d settle for his songs not being split on Spotify, his views not being culled on YouTube, and maybe just one congratulatory statement to the press or even just a CAKE celebrating his historic Hot 100 #1.

At least Jimin was “allowed” to include a hidden track with Jungkook (that wasn’t advertised or available to stream, so not fan service) and he was allowed to queer code his Like Crazy music video. So I believe he has some agency and say over his projects. I’m not sure he’s entirely understood or appreciated by his company—frankly, I think his potential was underestimated—but I don’t claim he’s a victim. Victim narratives play into cult dynamics.

But I digressed. I was talking about logical fallacies.

Let’s entertain the idea that for more YEARS, Jungkook and Taehyung have been horribly abused by their management and forced to hide their relationship.

They never thought to address this issue when they were renewing their contracts?

Also, what’s up with all the footage during RUN episodes when they are standing together, or on the same team, or hugging and cuddling, or leaning their heads on each other’s shoulders and legs?

Why were they allowed to flirt and dance and do skinship on stage—and all that stuff even made it into official footage?

Now let’s entertain the idea that Taennie is a PR Relationship.

So… two rival companies, just coming out of a bitter failed deal around a music industry monopoly, are now working together to make people believe Jennie and Tae are dating?

Even though idols LOSE popularity and company stocks take a DIVE when couples are revealed?

So Taennie is the strategy to promote solo albums and upcoming projects?? And both companies’ PR teams say “We can’t confirm it as it is their personal lives.” So no PR statement is the PR strategy??

We know it’s bullshit. It makes about as much sense as Hillary Clinton running a child sex trafficking ring out of the basement of a pizza parlor that doesn't have a basement.

But many in the cult believe it’s Absolute Truth.

The question is why?

The answer is in the dynamics at play here.

CULT DYNAMICS

It starts with a MISINFORMATION CAMPAIGN.

Baby ARMY get curious about BTS, hop on YouTube or TikTok, and are bombarded by the algorithm that claims Taekook is real.

Unless they go searching for original content (which takes up dozens and dozens of hours to sift through and much of which sits behind a paywall), they will not have much to contradict these claims.

Most older ARMY are understandably so sick and tired of the ship discourse that they don’t go into Taekook spaces and duke it out in the comments. Plus, content creators know that Taekook content gets hits and likes, which translates into passive income, so they keep making it.

See this video where a cult leader shows you she made over $109,000 in a year just from her Taekook edits:

So in the din of all this nonsense and noise, it’s up to Baby ARMY to seek out other voices, other input, to form an opinion. They have to be proactive. And sadly, a large segment of the population lacks critical thinking skills and do not WANT to seek facts.

We live in a very busy, post-fact world, where “credible messengers” (i.e., someone you know and trust) tell you their opinions. Then you try those opinions on for size, and they eventually become your opinions. It’s faster, it’s easier, and…

It lets you be part of the IN-GROUP. Next thing you know, you're part of a group chat with 400 indoctrinated members, spitting conspiracies like gospel truths.

In today’s globalized, fast-paced, hyper digital world, most people cannot tell you the names of their neighbors or local butcher or even their state’s politicians, let alone what all they stand for. But they can tell you how the Kardashians feel about organic salad in a plastic bowl, or what Trump believes about election results.

There’s a lack of real-world relationships that tether people to a shared reality.

And yet, there is a human need for Tribe.

A cult uses that instinct for TRIBE by constantly re-enforcing the notion that People Out There don’t understand, aren’t very nice, will even persecute you for knowing the truth.

But People In Here, the IN-GROUP, they appreciate you, they are reasonable and open-minded, they will be there for you when everyone else turns their backs on you and puts you down.

All you have to do to belong to the IN-GROUP is subscribe to these CONSPIRACY THEORIES.

First, you should think about becoming Anti-Establishment.

You cannot trust the Authority (company, government, scientists, whatever). The Authority is corrupt and will lie to you because it wants something from you (money, votes, microchips in the vaccines, whatever).

Do not trust what your eyes show you and what your ears hear. Believe your in-group. Be loyal to your found family. Your found family is SPECIAL.

Second, you need to begin to wake up to the Signs and Wonders.

Once you’re willing to see the truth, suddenly there are all these hints. All these little “Q-drops” of information. Like Taekook touching face moles during a song. Or seeing slowed-down, edited videos of facial expressions that look like evidence of jealousy. Or maybe hidden meanings behind tattoos of tigers and green mics. Or making a secret handshake or symbol with their fingers. These Signs and Wonders are FOR YOU.

*Now, I’m inclined to give Taekookers a bit of a break on queer couple coding because, culturally speaking, similar clothing and jewelry are couple-coded in Korea. And there are just as many if not MORE theories about Jikook using similar black and white clothing, matching jewelry, related tattoos, using special numbers in songs and timestamps, and even changing up lyrics as secret messages.

The issue here is that Jikook ACTUALLY DOES SOME OF THOSE THINGS. They actually deliberately type out specific numbers on some of their social media messages. They actually have dressed in the exact same outfits or worn each other’s clothes. They actually have changed up lyrics and sung them to each other.

Even so, any reasonable Jikooker will say “all of this is suspicious as hell, but not proof.” Like when Jungkook says his J tattoo stands for Jungkook—the placement over the M is suspicious, yes—but all sane Jikookers accept that Jungkook has spoken about that tattoo and he did not say it was for Jimin. We don't sit around calling Jungkook a liar just because we preferred our theory.

Taekookers, however, want what Jikook have so badly, even as they scorn it for merely being fan service.

Half the time the hints they claim are completely made up.

They see sandal footprints in the sand, and their leaders say it’s proof that Jungkook went on a secret beach date with Taehyung. Even though Taehyung went out with a friend and his parents that night.

Taekookers will see a photo of shoes all neatly lined up and say it’s a secret ski date with Hobi. Even though Jimin owns the exact same pair of shoes and there were no photos or accounts of them ever being at a ski lodge the day after Jin went into service.

Taekookers will swear they hear Jungkook’s voice off camera during Taehyung’s vlog and insist he was hiding in the trunk of the car during the drive to film. As if JK would hide in the trunk for hours instead of just… go in a different car that didn't have a camera??

All of these Signs and Wonders require a huge leap to arrive at the conclusion that Taekook is a romantic couple.

Meanwhile, evidence of Jikook spending birthdays together and couple holidays together and going on trips alone together and having integrated families and inner circles (stylists, tattoo artist, boxing coach) are ALL fan service. Every single person is in on the conspiracy.

Yes, even when JK’s mom screams “I love you!” to Jimin and makes her son eat seaweed soup on Jimin’s birthday, (JK was clearly FORCED to make up that story) it has to be fan service.

And when Jimin’s dad posts a photo of JK’s old dog on JK’s birthday (a birthday where Jimin visited him in the middle of working on his album, but Taehyung did not even though he wasn't working on anything), it's fan service. And when Mr. Park hosts a give-away event at his café where JK’s music is playing and cap and photo are proudly displayed next to JImin? Absolute fan service; he’s a money-hungry, attention-hungry cad, don’t you know? Even the charity he and his son do are fan service!

But JK went bowling with Wooga, so, Taekook are married. (Legally married. Not in Korea. But you know. They ARE married. Coming up on their third anniversary already!)

It’s all there, if you’re just willing to see the Signs and Wonders. And believe your cult leaders when there's nothing to see or wonder about at all.

Third and perhaps most important, is the Star-Crossed Lovers angle. The VICTIM CARD.

You see, it’s not bad enough that openly gay couples face pure hell in conservative countries anyway—losing their jobs, their families, sometimes their will to live because the stigma can be so bad. But on top of all that, for years and years, Taekook have been forced apart.

They’ve been just tortured by Jimin’s attention-whoring greedy nature, and made to endure fabricated fan service skinship!

(When Tae and JK look happy to be around Jimin, it’s just because they are professionals and such good actors!). Darn that Park Jimin, the abuser and sexual predator!!

And after so long being forced to hide, now in solo era, poor abused victimized Taekook can be loud. So loud. So very loud and wild and free!!

After all, during the Vegas concert, Jungkook sat on Taehyung’s lap!! He's NEVER sat on any other BTS members' lap (except for all of them).

And when Jungkook came online and said “Keep being jealous, I’ll keep holding Jiminie!” and that Jimin was HIS! Then fans kept asking him about Taehyung, so he also said Taehyung was his. It was totally his own organic idea (except for how it wasn't).

When fans kept pestering Jungkook during his camping VLive about Taehyung, he said he was forced to admit that Taehyung was attractive, he’d never seen a man so attractive! (FORCED to admit it! So romantic!)

Meanwhile, as all this shakes down, there’s this scandal in the press that Jimin didn’t pay his insurance premiums because his mail was omitted by the company. News of this dropped EXACTLY the moment his first OST With You came out, and he went totally quiet.

And then, Jungkook also went quiet for a while too. He deleted all his previous Insta photos that were personal and changed the layout to be totally professional. He went to the White House. He did a collab. He partied for JitB. He went on a Meat Tour of Korea. He did a concert with his members. He headlined World Cup. But mostly he was getting quieter and quieter.

Eventually Jungkook deleted the app entirely. Sometimes he stayed in his home for six days at a time. He stopped working out or going into Hybe; he started drinking whiskey. And nowadays he doesn’t even want to look at the comments on lives. Not because he was sick of the Taekookers or anything, but because “the company is forcing them to hide!”

Of course.

And all throughout 2022, Taehyung and Jungkook are paired up for things, and Tae's talking about a fortune teller saying he and Jungkook were “fire and water.” And rather than be taken as cute moments between friends, these are just VERY LOUD SIGNS AND WONDERS.

Then there are leaks online of all these photos that involved Tae and Jennie.

And thus begins tons of lives where he mentions Jungkook.

I'm not saying Kim Taehyung had an agenda to throw fans off the scent of his actual relationship, but I'm also not NOT saying that.

Whatever his motivations, the cult interpreted this as a direct message for Taekookers to keep the faith!

And indeed, Taekook do hang out—sometimes openly. (Sometimes where there’s press that make them hold up signs while cameras are going off—but that’s not for work, that’s a date, because the security team there wasn’t Hybe’s, and it was a friend’s premiere.) Sometimes quietly, where they share photos of hanging out afterwards.

But it cannot be just two friends hanging out. It’s Signs and Wonders!! SO LOUD!! SO FREE!!

So many reveals—mostly coming from Taehyung, but Jungkook doesn’t often deny them. And it’s mostly Taehyung stroking Jungkook’s hair or laying his head on Jungkook’s thigh or whatever—but Jungkook doesn’t stop him. And Jimin seems totally unbothered by all of it, which is strange because it sort of debunks years of his efforts at fan service.

Yet, clearly THIS cannot be fan service or misdirection.

It can’t just be friends playing games, or a TikTok made for work. It can’t be recording someone without their informed consent for attention. It can’t be going to a concert with other members and sitting in separate rows as friends. Or going to a musical or movie to support friends. Unlike all the things Jungkook has done with Jimin, this has to be Real Love!!

So just to recap:

When the cult had no evidence of Taekook hanging out, they were a private couple.

When the cult had ever-increasing evidence of Taekook hanging out, they were being loud.

When the cult had evidence that Jikook hang out outside of work, that was just fan service.

When the cult had no evidence that Jikook hang out outside of work, that was just fan service getting exposed.

When the cult has evidence that Taehyung has a girlfriend, that’s a punishment.

MARTYRDOM

You see, Jungkook and Taehyung would go on WeLives without permission, remember? And Taehyung set up a dual live chat on Insta and JK didn't seem that into it but he was persuaded. Then they giggled and couldn’t find much to talk about for ten minutes. And Taehyung said he would take full responsibility for it.

And the cult now believes that “taking responsibility” means pretending to be in a heterosexual relationship. Even their insider sasaeng accounts predicted it!

Never mind how mad all of this seems. And it would be one thing if just one or two ideas were far-fetched, like looking at a pair of shoes and making assumptions. But all of it is far-fetched.

Facts do not matter. Because you cannot trust the Authority. You can only trust the In-Group.  

And the In-Group sees Signs and Wonders. So the In-Group knows the Real Truth.

The In-Group DECIDES TOGETHER what is real.

They can make entirely fake edits; cosplay; post false witness statements; harass models, coworkers, brands, businesses… they can hire trucks to circle the building with loud speakers, protesting and shouting their truth!!

And anyone who doesn’t believe the Real Truth is a Fake Taekooker.

No disbelievers allowed. Get out of the tribe. Only the faithful can stay in the Tribe.

Right now, you might be asking yourself: Why would you stay in a tribe like this??

Because the dynamic is ever-evolving, which is titillating, and participants get a sense of power, because they are able to help craft the narratives—by being so smart as to see the truth where others are blind sheep—so they can bond over how unique they are.

Plus… TAEKOOK NEEDS THEM.

The boys absolutely depend on their support. You see, Taekookers are the real HEROES here.

They understand the boys like normal people never could. If you know you know, and they are steadfast against any and all lies presented as evidence. They are loyal.

The whole world is against their baby bear and baby bunny!! They are the boys Only Defense. Just take a look at this video of their rallying cry:

If you've got martyrs, you've also got... CRUSADERS.

Yikes, right?

So, here are millions of fans who were lied to, misled, misinformed… They developed relationships over time with people who also believe this misinformation… They get a sense of power in crafting their own reality, in which the objects of their affection are victims and they are the heroes… And the only way to prove themselves worthy of the group is to stalwartly ignore anything that contradicts these narratives.

This is a literal, textbook cult.

Cults use deception, isolation, peer pressure, group-think, and suppression of critical thought. To varying degrees, all Taekook spaces do this too. (And yes, other ships and solos and mantis ALSO rely on these tactics. But I've never seen anything quite so open or pervasive in ARMY like the Taekook cult tactics.)

I feel I should make one thing should be made clear: a LOT of people sincerely believe in Taekook.

But there are also a lot of Taekook content creators who sincerely believe in the money they make off people believing in Taekook.

Like all cults, at the end of the day, it's a scam.

Now there’s evidence of a real relationship, and of course anyone who has invested time and money in Taekook is going to be pushing back—hard.

So how do we navigate this chaos?

Well, most cults end in one of two ways: an FBI raid, or everyone drinks the Kool-Aid and dies.

But more often than not, cults don’t really end so much as fizzle out over years.

Plenty of cults are still alive and well despite amble debunking (Scientology, Q-Anon, Illuminati, flat-Earthers, Larries—what they believe doesn’t really matter; it’s how they believe that makes them a cult.)

 Cults are a bit like hydras—you cut off one head, three stronger ones pop back up.

They won't stop. They have to BE STOPPED.

HOW TO DEPROGRAM A CULT

Well, back in the 70s, in the early days of deprogramming, the only thing that was effective was to separate the individual from access to the cult (by kidnapping if you had to), then bombard them non-stop with facts (using imprisonment or restraints if you had to) and eventually they are coerced into re-integration. But none of that is humane or legal by today’s standards.

It also leads to relapses.

Really the only way to deprogram cult conditioning is for a mental health professional to slowly and methodically discredit the cult leader(s) and gently present contradictions.

(How can Jungkook really be in a relationship with Taehyung if he’s always mentioning Jimin? How can Jimin be hurting Taehyung and yet they are on FaceTime for hours, trading fan art and watching tv shows? Why would the two most rich and famous pop stars in the world need a publicity stunt?)

And even then, the cult member has to be sort of able to question things for themselves, and it just helps to have other supportive people echoing their own questioning sentiments back to them.

It can take YEARS until a cult member reaches the breaking point and begins to listen to Out-Group ideas. (On average, five years, to be exact.)

And then they may begin a journey of self-expression, where they openly voice doubts or complaints against cult narratives. They may even engage in transference, jumping off the Taekook ship and onto another (the need for tribe is very real). This is an extremely vulnerable stage and should not be taken advantage of.

At this critical moment when someone is tittering on the fence, trying to figure out what reality is, you need to REWARD THE BEHAVIOR YOU WANT.

You want them to question. You want them to express their grief and doubts. You want them to look for real sources of information.

This is NOT the time to kick someone when they are down, or look for “gotcha” moments to shame them publicly.

If you see a Taekooker wondering if they’ve been lied to this whole time—they HAVE. And that is abuse. And abuse victims need to be handled with care.

I know that Taekookers have dragged Jimin to hell and back for years so I’m not about to preach love and acceptance.

But it’s also fair to say that Taekookers have been gas-lit and realizing that can be traumatic.

Wounded animals are dangerous. A traumatized human lashes out. And you know who the prime target always is. They are already starting to take it to Jimin directly.

I strongly recommend you take a very cautious approach if you engage with them right now. Especially if you’re thinking about arguing with them.

People who defend Jimin or Jikook end up doxxed, suspended, harassed--and someday, I fear a wounded cult member will get physically violent.

Be especially careful because plenty of big accounts are closeted Taekookers. Here's a thread exposing some "mystery cult" members:

THE MOST EFFECTIVE RESPONSE

I normally don’t try to police people or preach too much, but I’m going to give you some unsolicited advice if you managed to read all this:

Don’t go into Taekook tags or spaces. Don’t debate them. Don’t talk trash about them or the members. Don’t slam-dunk or spike the ball with snarky words or memes. Don’t give them a taste of their own medicine. Don’t be cruel.

First of all, don’t do any of that because Jimin and Jungkook would be mortified by it.

But second of all, don’t do it because it just makes them dig in harder; it adds weeks or months to the deprogramming timeline.

The goal is to get the cult out of ARMY fandom. Because they thrive on a victim/hero complex, attacking them reinforces cult dynamics.

I believe there is a better approach.

First, you can and should go Gray Rock whenever possible.

Starve them of oxygen. Don’t acknowledge them. If you do, be generic in your responses—boringly bland, detachedly polite. Ignore them completely; their hot takes do not matter.

Block and report if warranted, but never engage. On some level, they really want to be persecuted for their beliefs. It's why they keep coming into Jikook spaces looking for a fight.

But their beliefs are so ridiculous that they aren’t worth our time. Instead, direct your focus on what you want, which is to promote and celebrate Bangtan.

Second, you can provide what’s called a Graceful Exit.

It doesn’t always work if they know that’s what you’re doing, but it is perhaps the most effective technique, especially if they are already questioning the cult narrative.

You see, a shamed human being gets defensive, doubles down, won’t listen. But a human being offered a Graceful Exit Out of a Bad Place gets to reinvent themselves in a way that allows them some dignity while they change direction.

A Graceful Exit has a few components to it:

“Hello, Taekooker. I also saw a lot of misleading content when I was a baby ARMY. The algorithm feeds you Taekook content almost immediately. Then you make online friends, and they all believe in Taekook. Suddenly everyone is telling you really complicated theories about how Taekook is being hidden. Once you believe that, you have to also believe that Taekook are lying by omission, that Jimin and the members are also lying, that the company executives and translators and managers and staff are all lying, that Korean ARMY is lying, that fellow I-ARMY is lying… and that’s a lot of people spreading a lie for no real gain. Now that you have some evidence that Tae is happily in a relationship with someone else, it’s only natural to question your beliefs, because YES, Taehyung and Jungkook absolutely love each other. But are they IN love? NO. For my part, I trust Taehyung. I love and support Taehyung. I don’t spread the idea that he or Jungkook engage in fake relationships. If you support them, then you’ll accept what they are showing you. When you’re ready to stop shipping Taekook, ARMY will be ready to welcome you back. We can stream together and vote together and help our boys achieve their dreams. We can watch their content and go to concerts together and enjoy fan-works. But what we can’t do is make up really complex stories around BTS’ reality. Our place as fans is to appreciate their music, and let them live their own lives in their own way. It’s time to let go of old ideas, and embrace the new things they share with us.”

This tactic allows the cult member to feel sympathy for being human. It provides understanding that they’ve been deceived. It appeals to their higher nature and love for the objects of their affection. And reassures them they could have a place in a bigger tribe if they let go of the in-group.

It invites them in, instead of calls them out.

Now, you guys might not be willing to do that. Especially considering the hate trains and rape jokes and death threats they gave Jimin for years. Believe me, I get it. I GET IT.

So if you see someone spewing vitriol, now is not the time to call them in. Now is the time to block and report.

However, if I take out my anger on them, it’s serving my own feelings.

And I’m here to serve Jimin, Jungkook, and BTS, not my own need to be right.

So I believe the best way to do that is to Gray Rock the Die-hards and provide a Graceful Exit for the Questioners.  

Many cult members are not going to believe in Taennie unless Kim Taehyung makes an announcement directly--and even then, he’ll have to do it in such an emphatic way that they buy what he sells.

So we should accept that the cult is going to be around for a long, long time. Conserve your energy, my dears.

But for the ones who just got fooled but don't intend any harm, we can either hope they let go of their own volition, or we can try to make room for them as part of true ARMY.

What we shouldn’t do is get down in the mud and start slinging. Everyone loses ground that way.

THIS WAS THE LONGEST EVER POST; I AM SORRY!

But these have been my thoughts over the last few days. I’m okay if you want to comment, but I would like to ask that you DO NOT reblog to tag Taekook and that you don’t weaponize this post by spreading it around specifically where it could cause drama.

Drama is the exact opposite of my intention.

My desire is to provide some better understanding around how cults work and how to disband them.

In conclusion: Keep it classy. Ignore assholes. Be gentle with people recovering from gas-lighting. Stay true to the principles of BTS and ARMY. Apobangpo.

Love, Roo

[desired-misery]

Krauser's Behaviors towards Leon in RE4R | First Fight Cutscene

(disclaimer: not a fighter/literally just some gal that loves to do some research; also relatively new to the fandom)

I am absolutely fascinated by how Krauser talks to, treats, and fights Leon in RE4R, so here's a gathering of all the things I have noticed and what I think about them:

TLDR: Krauser is constantly trying to put Leon in a lower position than him (in terms of rank/experience/power but also physically), taunts Leon over his insecurities, fights in a way that focuses more on harming/punishing Leon over outright killing him, and is weirdly possessive of Leon (his skills, experience, and even his attention). [Other Parts to be written/linked] **Please watch Scenic Fight's breakdown of this scene (and the scene in the OG), but especially here in this clip where Logan (the man on the left) is showing how the way Krauser is holding his knife is actually limiting how far he can reach. Hearing the knife fighting expert say "the best I can do is wound you" when talking about Krauser's strange decisions in this fight was a big part of why I decided to write this] Contents below the cut: - Krauser's ambush and reveal - Krauser's seemingly subpar knife fighting techniques (and what that could mean in-character for Krauser) - Their "fight" starts but it feels like a drill - What prompts Krauser to say "not bad" - Why Krauser injures Leon when Leon "disappoints" him, sending them into a real fight

How their meeting starts: There is no way Krauser hasn't been stalking Luis (and therefor Leon) for at least a little while now. The control and power Krauser felt while following Leon throughout the castle and underground was too good to rush along (he probably drew that out longer than he needed to, he has a line in the island fight scene about how he "loves a good hunt"). It is a huge aspect of tactical/positional superiority (that Krauser repeats later on the island) in a cat-and-mouse game that Leon has NO IDEA he is even participating in yet.

Krauser has this need to prove himself to be better than Leon. He is constantly taunting Leon from the beginning, from the way he wiggles the amber when he shows it off to Leon (no need to do that, at this point Leon has no idea what the amber is, so why reveal something so important?) and both the word choice and the way he says "rats" when referring to Luis in the line "killing a few rats along the way" is 100% meant to aggravate Leon. And then to immediately follow that line with saying killing Luis as "easy work", it is so mocking.

Leon has been fighting for his life, he's been separated from Ashley, lost contact with the government/Hunnigan (and thus all support), and doing his damnest to get the hell out of there before the parasite in him takes control (I don't think Krauser knows that Leon is infected, based on later dialogue). Leon has got to be exhausted both physically and emotionally. This entire mission has been going from bad to worse to absolute hell for hours, and then Krauser comes along and 'takes care of business' so quickly, Leon isn't able to do anything but react way after the fact.

Krauser wants to prove that Leon isn't capable of protecting anyone or completing his mission. Based on their assumed history, Krauser KNOWS how much losing people hurts Leon, which is why the way he kills Luis is so painful. It happens so suddenly, so out of the blue, with a literal knife in the back as Leon and Luis are actively having a conversation. Leon never gets the chance to try and protect him-- Luis is fatally wounded before Leon even knows something is wrong. Krauser wanted Leon to be helpless to do anything in that moment. Leon doesn't even see who did the attacking (or reacts to the danger, his sole concern is Luis when he runs up to his side).

The time it takes Leon to physically respond to Krauser is so slow and speaks to how shocked Leon is. He isn't thinking much about the threat in front of him, he is clearly frantically trying to figure out why the hell Jack Krauser is here of all places-- and is putting together the whole 'Ashley, it was you' conspiracy in the meantime. Leon backs up two tiny steps, but that is all he does as Krauser approaches in a very hostile (but telegraphed) manner with his knife out. Leon doesn't grab for his knife, he doesn't even start to move for his gun like he does in the very beginning of the game in the Hunter's Lodge when startled by the man inside the house.

Krauser was hoping Leon would draw his knife, not his gun, which is why he closes the distance with the knife on Leon's neck with the whole "didn't I teach you?" bit when Leon defaults to reaching for his gun. (In the OG, Leon draws his knife because he senses something is wrong/Krauser is lurking in the room so Krauser doesn't have to prompt Leon there). Krauser is also deliberately showing off his newfound power and speed to Leon. The way Leon then turns into the knife (that isn't actually touching his throat, although it is very close) as he turns his head to look more squarely into Krauser's face is telling. They both know Krauser could have killed Leon right there, but because he didn't (that, combined with the obvious "draw your knife" command), Leon is puzzling out what Krauser wants from him. Leon knows Krauser plays mind games (Leon says as much in the fight on the island). But in this instance, Leon plays along because the insinuation is that Krauser could kill Leon before Leon has a chance to finish drawing his gun. Krauser is all but begging Leon for a knife fight-- and Krauser has set it up so that Leon has to agree. Krauser lets Leon have the time to draw his knife and push off the knife from his neck so that the two of them will start the fight on a more even footing.

Starting Fight Scene: Krauser is holding the knife in what is called an "ice pick grip", which is better for close quarters [here is another clip talking about the benefits of an ice pick grip] (for even closer quarters than if he were holding the knife out in front to extend the reach of the tip of the blade).

[^ Blue line is showing the length of the knife in the ice pick grip (which shows how little it reaches forward when Krauser pushes his fist foward like that, the knife is actually perpendicular to Krauser's arm instead of acting as an extension of it). The red line is showing what addition reach Krauser could gain if he switched his grip (and how easy it would be for him to cut Leon with it if he flicked his wrist out).]

But the way Krauser is attacking is deliberately limiting his reach. While this is probably just research oversight/"rule of cool" by Capcom, I am going take it as Krauser wanting to bait Leon into staying in a knife fight (instead of creating space and drawing his gun again, which is the safer option for Leon). Krauser is taller than Leon, which means he already has a longer reach, and then on top of that his knife is longer than Leon's [takes up 4 squares of inventory space while Leon's takes up 3]. If Krauser was fighting in a manner to eliminate the most amount of risk to himself, he would have either A) switched to a different grip so that the blade was extended towards Leon instead of perpendicular to to Krauser's forearm or B) immediately pulled Leon in much closer (which would have been smarter to do against an opponent like Leon, who is smaller and not as strong-- especially since Krauser is quicker/stronger now with Las Plagas-- and Leon wouldn't have the space to do his kicks as easily).

[^ example of Krauser's greater reach (and height). The white line is showing the front of Leon's neck, which Krauser could still reach even while holding his knife the way he is.]

There are multiple points where Krauser could have sliced Leon's neck open (again, we are going to ignore the fact that this is probably just fight scene choreography/safety for the actors) but he doesn't.

[^ red line showing the positioning of Krauser's knife (handle included) in the ice pick grip.]

Krauser could have extended his arm and touched (and sliced) Leon's neck with his knife but he doesn't, he backs off. Notice how Leon's arm is more extended than Krauser's (in this frame, Leon is still rotating his wrist to flick the knife out) and Leon STILL can barely reach Krauser's neck in the same distance.

[Scenic Fights Demonstration: Logan (left, holding it the way Krauser does) and Chad (right, holding a knife the way Leon does), who are very similar in height and using the same knives, shows the difference in which just the manner of holding a knife can affect how easily they can reach each other. Chad/Leon doesn't have to extend his arm all the way to reach Logan/Krauser's neck, but Logan/Krauser has his arm extended and wrist rotated and he still can't get to Chad/Leon's neck. Now take this, but extrapolate to the height difference between Leon and Krauser (thank you @highball66 for your work in this fandom, iconic), and then add the length difference of their two knives.]

[Another instance of Krauser missing Leon's throat-- and so clearly short of it. Krauser has to know he won't reach it but he does it anyway. The circle in the first frame is showing the tip of Krauser's knife as it passes in front of Leon harmlessly]

My theory is that Krauser is testing Leon, feeling him out. Leon has picked up that this isn't a "real" fight based on the way Krauser is not actually harming him in any of the instances he could have. Thus, Leon also isn't going for any attempts to injure Krauser. (I like this post by @highball66 who mentioned this looks like a drill until it escalates). Krauser is the one who initiated this "fight" but despite that, he isn't actually trying to hurt Leon yet, but settles into a drill. Leon copies him, so Leon doesn't try to harm Krauser at this point, either.

[Krauser looks like he is going for a tap/punch on Leon's shoulder without any attempt to use his knife. It reads like they are doing parrying drills or something where Leon's goal is to keep Krauser from touching him, which is done all the time in fighting training to work on speed and blocking/parrying].

The fight was just this back and forth drill-like exchange until Leon suddenly switches things up.

Leon changes the grip on his knife to an ice pick grip and then closes the distance between them to push forward on the offensive.

Krauser blocks, which results in them both at a standstill for a moment. Not a real one, as neither of them are actually trapped/unable to get out. This is is when Krauser says "not bad" and then shoves Leon off him (I fully believe Krauser is praising Leon for switching tactics on him). As Leon disengaged, he swipes at Krauser's arm. That would have resulted in a nasty cut if Leon was holding his knife with the slicing side in as he should be for that grip. I think Leon was taking his cues from Krauser and has his knife positioned so that the edge that is less suited to slashing is facing inwards. Leon's knife has a sawback, which is literally what it sounds like (those big teeth aren't going to glide and slide into skin, they are designed to saw through tough material). The sawback side is the one that make contact with Krauser's arm (and probably doesn't do any damage because Leon wasn't trying to get those teeth to bite into Krauser's arm) This is when the fight turns more serious. I think Krauser was waiting for Leon to kick things off and break that pattern they had of parrying and feinting slashes at each other's throats. In this section of the fight, two other things happen that also break from the previous pattern they had: their knives collide with more force (more dramatically-- that's just "rule of cool" grinding and sparks) and then Leon actually doesn't attack back after one of Krauser's slashes when before they were exchanging attacks very evenly.

[Krauser attacks but notice Leon isn't blocking him, he isn't in a good position to defend compared to what he was doing earlier. Look at where Leon's knife is in relation to both himself and to Krauser. Krauser completes this fake slash without Leon ever touching him or showing that he is trying to prevent the knife from making contact.]

[Leon still doesn't try to slash at Krauser when Krauser is resetting his stance for another slash, which is when Leon had been trying to attack prior to this point. Leon actually lowers both of his hands closer to his side. At this point, I think Leon is wondering why the hell they are sparring and is trying to figure out if Krauser is willing to stop this little match between them]

[Again, Krauser comes in for a slash. And look at how Leon's arms are positioned! He doesn't seem to be taking this seriously, he is not even prepared to knock Krauser's elbow or forearm away like he had been doing earlier. ]

[I think this pisses Krauser off because he thought Leon was actually going to try something, but Leon is backing off in terms of aggression. Krauser's next slash at Leon's chest isn't blocked or parried by Leon either, because Leon (accurately) believes Krauser isn't trying to make contact with him-- which is true until this moment because Krauser suddenly doubles back on his swing and cuts into Leon's thigh.]

I think the thigh slash was to punish Leon for hesitating and not attacking when it was 'his turn', and then the kick was to send Leon to the area where Krauser really wanted to fight. I added to this post here where I talked about Krauser going for Leon's thigh, both as an intimidation tactic but also as a means to limit Leon's ability to maneuver and kick, which is what Krauser knows Leon does when he fights. I believe that Krauser wants "to see if Leon will take advantage of the technical mistakes Krauser is making," but more on that in a later post when I talk about the actual player controlled fight (focusing on the QTEs and the lines Krauser says).

[the-orion-scribe]

A nitpick on The Book of Bill

Disclaimer: I am speaking this as a dipcifica fan and of course a fan of Pacifica.

This is certainly unpopular, but is something I've seen overlooked by the fandom. Yeah, there are a few other unpopular takes people didn't like about the book (like someone trying to pick a bone with Hirsch about Mabel not reminding Dipper his fly was down throughout Weirdmaggedon, or Billford). So here's one major critique I have with The Book of Bill (and its website), and that is how it prioritized a certain side character over a supposed main character. Yep, I'm going to talk about how Wendy is sidelined again in favour of Pacifica.

The first instance I must raise is when Bill reveals everyone's recurring nightmares: Not only was Pacifica’s nightmare more layered and interesting, but Wendy’s offered basically nothing. Are those happy dreams or sad ones with her Mom, or is she mulling over her disappearance? And this speculation about her Mom isn't new either, having been teased before in a Lost Legends code. Half of it also seems to be a joke at Dipper’s expense. She doesn’t even get her one dream reveal to be fully about herself.

Already on Thisisnotawebsitedotcom.com, you can uncover that full backstory of Paz's encounter with Bill (type PlatinumPAZ). But beyond a few other tidbits of Wendy (like her defeating Stan in an arm wrestle once), there's no fully fleshed out story about her. How would she even stand against Bill? We don't even know.

Heck, even in the letters to us by them ("Pacifica" and "Wendy" respectively), Pacifica's is much more substantial than Wendy's, which is just basically a short joke message without substance. Of course, it could be Wendy being lazy and all, but no other code (so far) that's devoted to Wendy's? Such a shame.

This isn't a problem for The Book of Bill, but in supplementary material as of late. Like Lost Legends itself devoted itself to an entire story on Pacifica for dipcifica fans, though it mainly rethreads a conflict of Pacifica struggling with her parents' expectations. It just seems to tell us that Hirsch doesn't have solid ideas for Wendy. We are just given some vague speculations and little moments with other characters, but nothing about her character growth and development. Again, it seems Hirsch is afraid to break her ice and make her unlikeable.

(The only instance of that ice breaking. From Society of The Blind Eye)

It's not that Pacifica doesn't deserve any screentime at all. I love Pacifica and I'm not complaining about the additional material focussed on her; they are great and expanded quite a lot of her. The problem is that there's not as much thought and spotlight given to Wendy who is a supposed main character featured in the intro. The supplementary material could have been great opportunities to explore her character (like Ford and Fiddleford in J3, and even Bill himself in The Book of Bill). It's just strange how even in a book on Bill, we still have more on Pacifica (along with the rest of the Pines). Why not two more pages on Wendy herself and how she views the world, her family and friends?

In the show itself, Wendy already suffered with most of her plots revolving around her being Dipper's crush. And before you say Wendy's character was already perfect and she doesn't need any growth, even Soos, the "world's most perfect man", have his episodes centred on his Dad and struggles with romance. And Robbie even has an episode himself, admittedly a little dubious and wonky. So there's no excuse for Wendy to be sidelined again. Heck, we have at least three scrapped episode ideas on Wendy.

(The On the Road episode could have been a better replacement for Roadside Attraction, but ah well)

Truthfully the honest answer for Pacifica having more focus is the more potential angst material around her, particularly her family's more direct connection to Bill. Plus, ofc, how popular Pacifica is in the fandom and the shipping potential. But it's just frustrating (and I'm speaking this, again as a dipcifica shipper) how Wendy was sidelined again, beyond giving the barest acknowledgment that she and Soos are part of the Pines family.

(A nice, complete photo of the Pines + Soos and Wendy, by Joe Pitt)

I love Pacifica. I really do. But this focus on Pacifica should not be squandered at the expense of Wendy's development. It just gives people an impression that Pacifica is an important character, perhaps more than Wendy, yet as we know in Weirdmageddon, she ended up not playing much of a part at all. Even Robbie contributed more by having a spray can for the Zodiac. There's another essay I have in mind that would discuss Pacifica's elevated narrative role and character arc that doesn't really fit the show's narrative, but that's a full essay for another time. (You can now check it here)

If Hirsch is somehow reading this, I urge him not to hold his cards on Wendy too close to his chest. We have already glimpsed the unlikeable side of her before (like gaslighting Mabel in Boss Mabel to get more time off). Why worry that fans' opinion would turn against her? Break that ice and make her whole again.

Thanks to @milkyboybluewriter , a fellow writing friend, for sharing some of his thoughts, which I agree pretty much as I read the book myself.

[supernaturalconvert]

Too little too late

Apologies for linking this with the fandom but this fandom and the time I’ve spent here has been a great insight for me when it comes to perhaps some part of the American society mindset.

These are my two cents and I may not be entirely right but I wanted to share my perspective as a non-American simply coz I have tried to speak very openly about everything and this has definitely impacted and affected me as well.

I’ve seen so much intolerance and misinformation in this fandom with labels thrown around a guy who was none of those things. The wildest thing about that was many of these people knew he was none of those things or even if they disagreed with his phrasing they were well aware of his intentions but still called him those names and tried to twist it in the most ugly stories possible. They bullied him and wished ill against him even at his lowest times. You know what that represented, a serious lack of empathy and engaging with someone as a human being.

Another thing that was surprising was that after they did all that they somehow saw themselves as the GOOD GUYS saying things like that this person who has been so open about his struggles in life deserved to be treated this horribly. A guy who was treated unfairly by a colleague was somehow in the wrong for being treated like that. Victim blaming essentially.

At the same time, there was this guy below who is talking about hatefulness here perpetuating this at every opportunity he got. Lies and half truths were his weapons for a supposed friend.

I am sorry Misha but you have been a bully in real life and even if I want to support some of your messages (I support Palestine which he doesn’t) I cannot support you as it’s messanger since you and many of your followers are beacons of hypocrisy who don’t practice what you preach and are very much not the good guys.

I am in no way saying that one person’s treatment is anyway equal to an election result but I am merely commenting on the symbolic behavior that was exhibited by some of these people in a smaller microcosm.

Disclaimer: I am non political when it comes to American politics. I was simply talking about the word hatefulness that he has used in above tweet as he has perpetuated it as well.

[girls-are-weird]

YR fanfic pet peeves (and corrections): latin america edition

so. i was originally going to post this in january as a kind of "new year, new opportunity to learn about simon's hispanic heritage" kind of a thing, but life got busy, and then my computer died and i lost my original list, so i've had to reconstruct this from memory as best as i could. there may be some stuff missing, so perhaps i'll just keep adding to this post as missing/new points come to mind.

disclaimer 1: if you've included any of the points made here on any fanfic of yours, please don't take this as a call-out. this isn't intended to shame anyone, but rather as an educational opportunity. it's very rare that a latin american nationality that is not mexican or colombian or puerto rican is showcased in an international show, especially outside of the US, and it's given me such joy to have all of you lovely folks make the effort to be open to and research and understand the idiosyncrasies of simon's (and omar's) heritage because the rest of latin america tends to go overlooked in most other fandoms. so i don't intend to scold anyone with this. we can't all know everything about every other culture-- lord knows i don't know everything about sweden, but i want to be respectful to the country and its people and that is why i heavily research anything i don't know and ask people who do know when my research doesn't quite cover it and am open to corrections when even that falls short. i expect most of you come to write about simon's family background in good faith and also want to be respectful to his family's culture, and so i thought i might make things a bit easier for you all by putting the most common errors/misunderstandings i've seen in one handy post. but once again, it's not a call-out, i don't get offended by these things, and i'm in no way implying, if you've done any of these things in fic or in life, that you are a bad person. i understand people make mistakes when they don't know things.

disclaimer 2: i am not venezuelan myself. i was born and raised in the same general region of latin america, though, and i have venezuelan friends and have worked with venezuelan people and have visited venezuela. generally speaking, i feel their culture is very similar to mine (though our spanish is much closer to spanglish than theirs is, haha xD) and feel a deep kinship with them. but of course, i'm no native, and if you're venezuelan and catch anything here that you feel is incorrect, feel free to point it out and i'll add a correction in your name.

warning: this is very long. christ almighty. DX if you can't make it to the end, tl;dr-- feel free to ask if you have any questions or if anything isn't clear. my ask box/messages are always open.

1- "mijo." this is the only one that legit has caused me to click out of several fics/chapters, at least in the beginning, but i've learned to grin and bear it by now. it's not so much that it's wrong, per se, but rather it's more of a location issue. "mijo" is, to my ears, very much a mexican (or, if you stretch it, northern triangle) slang. it IS used sparingly in other countries, but rarely used unironically. instead, if you hear the term used in the caribbean region of latin america (which my country is part of, as is a large part of venezuela), it's almost always used… let's say sarcastically. for example, if your grown-ass adult friend is being a dumbass and doing something reckless, you might call out "oiga, mijo, se va a romper el cuello" ("hey, mijo, you're going to break your neck"). basically, it's a way of calling someone immature like a child. it doesn't have to be ENTIRELY unaffectionate (kinda like the way someone might call their significant other "idiot" or "dummy" but mean it endearingly. in fact, in colombia it's way more common for spouses to call each other "mijo/a" than it is for them to call their children that), but you can also use it with complete strangers-- like if someone cuts sharply into your lane while you're driving, you might yell at them "oiga, mijo, a donde le enseñaron a manejar, en un potrero?!" ("hey, mijo, where did you learn how to drive, in a horse paddock?!"). but even in these sarcastic/neggy cases, it's rare. and EVEN RARER to hear a mother call her children "mijo" or "mija" in this region. it's just not a thing. so when i read it in fanfic, it immediately takes me out of the story because it's so weird to me that linda would sound mexican-- it's a very distinctive accent, which carmen gloria 1000000% does not have. (plus, "mijo" in spanish is a type of birdseed. so it gave me a chuckle the first few times i read it in a fic because i always have that brief second of confusion where i go "why is linda calling simon birdseed?" before it clicks. xD i'm a dork.) it's much more likely that linda would just say "hijo" or "mi hijo," instead.

1b- the way you decide on whether to use "hijo" or "mi hijo" is important because "mi hijo" can sound overly formal in the modern context especially, much like it would in english. in fact, you can use the english version of it, "son" vs "my son" to guide you on which of the two to use. like for example, if linda were to say directly to simon "i love you, my son," she would sound oddly old-timey and anachronistic, so you would just use "son" ("hijo") in that case. whereas if she's talking about simon with someone else, for example saying "i told my son to be here on time," you'd be perfectly okay to use "mi hijo" in that sentence in spanish. it's very transferable in that case.

2- speaking of non-transferable, though, you can't use "cariño" in all instances you would use "sweetheart" or "sweetie." it really depends on the grammatical construction, and it can be tricky to get it right, but it depends on whether you're using it as a direct address or as an object. for example, if you're using it in place of someone's name-- say, a mother telling her child "te quiero, cariño" ("i love you, sweetheart/sweetie") is perfectly fine, because in that case, she could also say "te quiero, hijo" ("i love you, son") or "te quiero, simon" ("i love you, simon"). but if, say, simon says to wille "you're my sweetheart," you would not use "cariño" there; you'd go instead with some syrupy way to say "boyfriend," like "eres mi novio" or "eres mi enamorado" or even "eres mi amor," and if sara tells felice "you're a sweetheart," that would also not involve "cariño" at all. in addition, "cariño" is also very rarely used in plural; if linda is using a term of endearment for both her kids, or for a group of teens her kids' age, she would use a different term of endearment altogether: "hola, mis amores" ("hi, my loves"), "hola, bebés" ("hi, babies") or "hola, mis tesoros" ("hi, my treasures") among some examples. one exception is when you say "cariños míos" ("my sweethearts"), but very rarely the plural by itself. in fact, "cariño" is often slang for gift or present, especially in the diminutive-- for example, if you go to someone's celebratory party for some occassion (birthdays, graduations, baby showers, heck even christmas), you might hand them a small gift and go "te traje un cariñito" ("i brought you a small present"), and if it's more than one gift, or you're bringing gifts for several people, then you'd say "unos cariños" or "unos cariñitos" in the plural.

3- simon's skin is tan, not tanned. this… doesn't personally bug me as much because it's more of an english grammar issue, but i know people who might actually feel very offended if you get this one wrong with respect to them. "tan" is a color; a light shade of brown. "tanned" implies the original color of your skin has darkened with the sun. now, i'm sure simon can tan (lucky goat, says she whose skin burns even while indoors), but about 95% of the time "tanned" is used in YR fanfiction, it's used as a descriptor of the color of simon's skin as we see it on the show. that would imply his skin used to be lighter at some indeterminate before-time and has been darkened by the sun. this is incorrect; that is the natural color of simon's skin. so stick to "tan skin" instead (not tan PERSON, mind you. his SKIN is tan, he is not). and i would gently suggest that if you take away any single thing from this post, make it ESPECIALLY this point, as someone more sensitive than me might interpret this error as some kind of retroactive whitewashing. and i don't want anyone here to get in trouble for simply not knowing.

4- pabellón criollo is one dish, yes, but it's four different FOODS. it's not something a newbie would be able to make off of a recipe (i don't know how to make it and i've been eating it all my life), and it's not something that's likely to be taught in just one day. also, if you're bringing it to a dinner or a potluck, you're bringing four separate food containers, not just one.

4b- also, venezuelan food, for the most part, is not particularly spicy. you CAN make it spicy if you want, but traditionally, it is not. it's flavorful, maybe even saucy depending on the dish, but rarely spicy. i know the joke of white people being unable to handle spice is funny, but there's also plenty of us hispanic people who are equally terrible at it, because there's different levels of spice in the food from different regions of latin america. besides, as a friend of mine perfectly put: we are living in the 21st century now. if you can eat mild mexican food, you should be able to handle traditional venezuelan food just fine. and i'm pretty sure there's mexican food in sweden. plus, wille would probably be more used to international food-- not only does he have the means, but having traditional meals in foreign countries is kind of part of the job.

5- while i'm at it: simon is definitely half venezuelan. this is canon as of S2. there is no other place in the world where that dish is called pabellón. please keep that in mind when you're writing and researching.

5b- this, along with several of the points above, is important because it's a bit of diaspora trauma that whenever we venture outside of latin america and people learn we're latino, they immediately assume we're mexican, or that our culture and traditions are the same as those of mexican people. it happens often, and it's incredibly annoying. not that there's anything wrong with mexico or mexican people-- they're lovely, and their traditions and culture and food are fantastic-- but we are not them, and treating us like we are is reductive. the rest of latin america can be very different and incredibly diverse, and it can be dispiriting when people treat us like we're all the same. so that is why it is important when writing about simon, his family or his venezuelan roots, that you take care to actually research things as they are in venezuela, and not just pick the low-hanging fruit of latino facts you might've learned through pop cultural osmosis, which eight times out of ten will be mexican-only because most hispanic people in the US are mexican and the US exports its media all over the world. i've learned to just roll my eyes at it by now, but some people might actually feel offended or hurt, and i'm sure nobody here intends for that to happen.

6- although simon speaks spanish, neither he nor sara nor his mother nor any aspect of his mother's culture is spanish. "spanish" is what people from spain call themselves. people from spanish-speaking latin american countries are not spanish; we are hispanic, or latino/a/e. "latinx" is… let's call it controversial, at least outside of the US. most people born and raised in latin america don't like it; i personally don't get offended if people use it, but i don't use the term myself. also, you can say "latin food" or "latin music," but we usually don't refer to PEOPLE as latin, but rather latino/a/e. if in doubt, just use latin american or hispanic. they're also conveniently gender neutral.

EDIT: @andthatisnotfake also brought up a very important point: "if you spell it latinx, it makes it harder for screen readers to read (or so I've been told) and some people depend on those, so there's another reason to avoid it." (the unpronounceability of that term is at least part of the reason why hispanic people who live in latin america don't like it.)

6b- never use "the latino/a" on its own to refer to people. "latino/a/e" is an adjective, not a noun, so you would say "the latino boy" or "the latino man" but never just "the latino." kinda like it would be weird to point out the one japanese man in a room as "the japanese." there are some nationality/ethnic terms that just don't work as nouns in english.

7- spanish is not simon's one native language-- or at least not any more than swedish is. he grew up in a mixed-race household, speaking two different languages. it's pointless to call spanish his native language when comparing it to swedish. both are his native languages. also, while we're at this, wille is probably at least bilingual (i'm assuming he can speak at least english), although he only has one native language. it's hardly a competition between the two boys as to who's more of a polyglot.

7b- simon wouldn't take classes on the spanish language-- like to learn how to SPEAK the language-- since spanish is one of his native languages. he wouldn't take them at hillerska, nor in university, nor elsewhere. he wouldn't be allowed. you're literally not allowed to take classes on your native language, nor get credit for said classes. trust me, those would've been an easy extra 24 credits for me in college if that was a thing.

EDIT: have been made aware (thanks, @rightsogetthis and @plantbasedfish!) that at least in sweden and in finland one IS allowed to take classes of your non-swedish/finnish native language, in certain circumstances. i have to say, i'd be pissed if i were taking my french classes alongside a french native speaker, but hey, the system's the system, i guess. ;) so i've struck this one out.

8- dear god please don't use google translate for your spanish translations. listen, i'm not judging-- i do it with other languages, too, when i'm in a pinch. but google translate is literally The Worst (tm) so i always try to either check with someone, or stick to the stuff i already know is correct. seriously, you don't want to know the kinds of crazy stuff GT can spit out that people actually put out in the real world; some of them are quite hilarious. if you're unsure, my ask box/messages are always open and i looooove helping people with this kind of thing, hispanic language and cultural stuff. i know it seems like i'm hardly around, but i do check my messages. don't be shy, even if it's something really small.

PS: while i'm talking pet peeves, malin is wille's bodyguard, not his butler. she's nice enough to attend to him at hillerska because there's no other palace staff around and she's literally stationed outside his door, but she wouldn't do that in the actual palace. there's other staff for that. she wouldn't even guard him at the palace, i don't think, because the royal palaces in sweden are guarded by the royal guard, not SÄPO. if anything, malin might spend the time while wille is in the palace grounds at a gatehouse (like in YR 2x03 and onwards) or at some kind of security office in the palace, and then get called whenever wille needs to go anywhere. she wouldn't be giving wille messages from the queen or walking guests to wille's room or anything like that. that's not her job. (sorry, i had to get that off my chest, lol.)

[stillness-in-green]

What do you think about Horikoshi ending the manga without a canon couple? Do you ship or used to ship MHA characters? Did you see romantic potential? Do you think Horikoshi might confirm a couple later?

No canon couple?  Au contraire, my dear anon!  The manga ended with the most important canonization of all!

(Everybody give a huge hand to The Only Hets Who Matter, Gentle and La Brava; they deserve it.)

As to the ships people actually care about or were expecting some word on (e.g. the stuff with the students), my reaction there is overwhelmingly “lol gj hori”.  I’m glad he ended it with no canon student couple to speak of!  While I do sympathize with the position of certain people on Twitter who contend that Ochaco’s arc about repression really needed her to actually confess to Deku, I hated what her crush on Deku did to her arc anyway, so I don’t have it in me to be too annoyed.  Anyway, I don’t think it’s possible to do the Iron Might 2.0 part of the epilogue if Deku and Ochaco[1] have been dating the entire time, so I’m perfectly happy to run with the headcanon that she did confess at one point and it didn’t work out for whatever reason, so by the time the last chapter rolls around, they’ve just been friends for years.

1: Or Bakugou, for that matter, but with all due respect to the BakuDekus who haven’t been seeing Shonen Jump battle manga come and go for twenty years with nary a confirmed gay MC amongst them, that was never in the cards.

I remember posting once ages ago about a Japanese fan’s hope that Horikoshi, who the fan perceived as being at least somewhat progressive about women, could manage to end the series without a bunch of timeskip romances showing up at the last minute.  While I have some deep reservations about Hori’s progressive cred at this point in time, and am not tremendously impressed with his writing of women, either, credit where credit is due: he did end the series without any timeskip romances.

As to there being any confirmation of couples in the material we have remaining, I imagine the last train station[2] for that is going to be the final volume release in December, as, on top of the usual volume extras, Horikoshi should be considerably more free to include expansions that his schedule and exhaustion kept him from in the weekly publication.  I could even see a bonus chapter of some sort, maybe something post-epilogue so we can see the power suit in action or something silly and fourth wall-breaking to celebrate the series conclusion.  There’s also going to be one last fanbook released in January, which I have been assuming will be a data book like Ultra Archive.

2: Or harbor, I suppose, since we’re talking about ships.

Now, do I think any of that stuff will confirm ships?  Eh, that’s not really in my analytical wheelhouse.  The farthest I’d venture to guess is that I would a) not be surprised to get some clarification on Deku and Ochaco, and b) definitely peg the volume release to have material like that over squirreling it away in the fanbook.

For myself, my shipping habits are somewhat erratic—it’s not really where my primary engagement in media lies, and certainly not for this series!  But that’s not to say I don’t have ships, or that I’m not happy to talk about them, so if you’re curious about that, do feel free to hit the jump.  I’ll order them by general sphere first, then by how passionate I am about them compared to ones I just think are kinda cute or funny for whatever reason.

DISCLAIMER: While I have not explicitly stated as much here before, I am a 40-year-old asexual proshipper, proshipper here meaning I'm in favor of curating your own fandom space and not harassing people about their fictional ships under any circumstances.  When I say I ship something, that does not mean I’m idealizing the relationship, want it to be canon, think it would be cool in real life, or am mentally putting myself in the place of one the characters.  It’s solely because there’s something in the dynamic I think is fun or interesting, and “interesting” can very much include the same kind of interest one might have in watching a building get demolished. 

That is to say, there are a handful of Too Problematic For Tumblr ships in here—one age gap but otherwise wholesome, one age gap and tacitly abusive, and one that really hits the Tumblr Trifecta by being age gap, abusive and incestuous. I've put all three at the very bottom in their own section in descending order of Most BadWrong, but if you’re one of those people deep into The Discourse about how ships need to be Morally Correct otherwise the shippers are terrible people who should kys, this is not the post for you.  The block button’s there if you need it—and be advised that it’s there if I need it, too, and I’m not afraid to use it. (I grew up in dark fantasy shoujo fandoms; I am not litigating my ships with anybody.)

~~~Stillness’s Dubious and Delightful BNHA Ship Opinions~~~

Villain-o-rama-rama:

Spinarakiya, ShigaRD, Spinaraki: Alas for my short-lived OT3!  I was really, really pumped for this in the stretch between MVA and the early stages of the first war, what with there being such interesting possible angles between all three parties, only for Re-Destro to get arrested and never seen in person again, Spinner to get snatched up by Gigantomachia and never look back, and Shigaraki to get lost to the possession plot for, at least as far as scenes with his allies were concerned, basically the rest of the series.

Not exactly great material for my shipping heart, though I’ll refrain from the rant comparing how long the PLF members were living in close contact with each other compared to the League of Villains and why that should have meant they developed stronger relationships than what we got.

But canon being what it is, I do still ship the hell out of these three in a canon divergence situation, or any number of potential AUs.  I love the connective tissue there, with Re-Destro + Shigaraki having some startlingly strong background parallels and lasting injuries courtesy of each other, Shigaraki + Spinner having the gaming and the emptiness themes, and Spinner + Re-Destro having their Big Gay Feelings About Shigaraki as well as an appreciation for patterned fabrics some shared early frustrations about Shigaraki’s seeming lack of plans or direction.

It's a good dynamic, and I think they could all do a lot for each other, though certainly not in ways that are good for the continued survival of Hero Society.  But fuck Hero Society anyway.

As to the component parts, I don’t ship Re-Destro and Spinner without Shigaraki being at least an invisible part of the dynamic (though I would read the fic where he wasn’t with considerable interest!), but I’m also very much on board with ShigRD and Spinaraki individually.  My constant refrain about Shigaraki and RD is that they have a lot of common ground but very little common language, and I’m fascinated by how much of that they could recognize in each other and how much of it they could then recognize back in themselves, versus how much you’d get one of those cases of, “This guy is a freak and I’m so normal.”

It's so, so, so important to me that Re-Destro is the first ally Shigaraki won entirely on his own merits.  He's got no borrowed reputation from Stain, no monsters on loan from Sensei, and no help from people on Sensei’s payroll, yet still, as a result of his efforts (both in his own fights and in making the League his own, even if it didn’t start that way) he wins himself an army and a follower who never saw a light that wasn’t his.

I weep for the Shigaraki/Re-Destro relationship we could have had if Horikoshi didn’t decide that Shigaraki in the endgame was to be nothing but a pawn, and therefore couldn’t be allowed to keep any of his markers of independence and growth.

As to Spinaraki, man, what is there even to say?  The relationship so clear and obvious that it had even the mhatwt bros out there saying, “Spinaraki but at what cost?” in the last chapter!  I will admit that I liked them better when their romance had that apocalyptic tinge than when it suddenly started getting painted as primarily about them being Gamer Bros, but at least that melancholic “beauty at the end of the world” shading came back when Shigaraki talked about destroying Mount Fuji for Spinner (be still my heart!).    

They will meet and be close in every world and I will hear nothing else.

RiKoku: I don’t think I truly understood the appeal of ex-lover ships until these two.  They snuck up on me in a big way, pretty much entirely a result of my realization when I was halfway through the (first and only, sadly) MLA Week event that Trumpet was pretty free-roaming and independent from Re-Destro all the way through Deika only to be glued to his side from there on out.  Together with the Spinner parallels (the subordinates who fought each other and then came together to the crater to see their worlds remade) and my jokes about wanting to see the MLA heads during their stressed-out, over-achiever college years, all the pieces fell into place for a Rikiya and Koku who had dated for a few years and then broken up when Rikiya realized that his authority as Re-Destro—and Koku’s strong subordination to that authority—meant that he could not responsibly stay in the relationship.  (This also presents several good explanations for why a man in Rikiya’s situation isn’t married with at least one child already.)

Anyway, to me, they never really fell out of love with each other; Re-Destro just couldn’t justify overlooking the power dynamic problems once he realized how extreme they were.  (This does make for a fun alternate angle on RD’s personal life post-Deika, wherein Trumpet watches RD pass the mantle of leadership to Shigaraki Tomura and then more or less immediately pounces on him because now he doesn’t have the power dynamic excuse anymore.  Look up the great Whatever Is Spared by @leftofrevolution on AO3 for more on this.)

Overhonest: I just like Nemoto much more than I like Chrono, and thus my Overhaul ship of choice follows suit.  I like the idea that their feelings are wildly unbalanced but not totally one-sided—Overhaul has more baggage than a freshly loaded airport carousel, but he does like the Shie Hassaikai, as proven by them being mentioned in the Likes section of his character page. Nemoto in particular is someone whose presence we know Overhaul finds reassuring and we know it because he told Nemoto so directly when Nemoto asked, which means it can’t be anything other than the plain truth.  He relies on Nemoto enough to make demands of him, he expects (and gets!) effectiveness, and he even bothers to take the time to justify out loud why it would be okay for him to merge himself with Nemoto physically (because Nemoto would say yes if asked, right? of course he would) rather than just doing it with no thought to Nemoto’s feelings about it because why should he care about that.

And Nemoto, for his part, is of course an obsessive weirdo who’s totally smitten with the first person he’s ever found who legitimately wants him around, so smitten that he’ll happily overlook the fact that Overhaul primarily wants him around because he’s useful.

Moving away from what’s on-the-page canon, I enjoy (and write) the take that Overhaul is sex-repulsed, not because he’s fully asexual, but as an extension of his mysophobia.  This makes his sex life extremely fraught, but not non-existent.  When I dabble with writing them (and they’re by far the ship I’ve written the most explicit material for in this fandom), I write him as basically a sex-repulsed demi (not that he would know or use that terminology!) who is attracted to Nemoto but has been largely left aggravated and sexually frustrated by their periodic experiments in non-traditional ways of getting him off.  (Nemoto, for his part, is more than willing to keep trying!  No kink is too weird for this guy if it means finding something Overhaul would actually like.)

(To get real here for a second, if Spinarakiya is meaningful to me as a person who’s comfortably poly, Overhonest is meaningful to me as an asexual person who's only ever had allosexual partners.)

AFOUji: Truly the Evil Husbands of all time.  I wish the shift from Final Boss Shigaraki to Final Boss AFO hadn’t left Ujiko with a few truly inexplicable characterization beats,[3] because I truly do love these two as just the worst pair of mutually enabling monsters making the world worse and more dangerous for everyone while being 100% supportive of each other’s passions the entire time.  Here’s to 70 years of Dark Lord/Mad Scientist domestic bliss.

3: For the record, I consider these to be his, “I've only been living for the boy's sake,” line in Chapter 269 and his clear reticence and dissastisfaction with Shigaraki getting the surgery in Chapter 240.

DabiSkep: Skeptic is the only man Dabi has ever thanked for his contributions.  Dabi goes out of his way to kidnap him.  I’m 90% convinced that they’d been working on the video together prior to the Villa raid.  The combination of Skeptic’s deep and abiding neuroticism with Dabi’s swings between lazy malice and manic pushiness is extremely funny.  What can I say; it’s just about the only Dabi ship that really clicks for me.  I enjoy leftof’s take that Skeptic had a goth phase he never completely exited and so Dabi appeals to his inner Hot Topic teen, which he is 100% aware of and 150% embarrassed by.

   

School Environs:

Mirio/Tamaki: Tamaki literally regains consciousness at the exact moment Mirio loses his quirk.  Other than cases where there’s some actual explanation for that—a magical connection, psychic powers, etc.—I have never seen that kind of beat happen outside of a shoujo manga.  The bit where one romantic lead just mysteriously has a Bad Feeling in the same instant that something Bad happens to their love interest is so shoujo-coded.  Jesus Christ, Tamaki is so moe.  And Mirio so clearly thinks the world of him, too, as evinced by what an over-the-top sobriquet he dubbed Tamaki with.  They’re great, end of story.

Monoma/Shinsou: I’ll admit I liked this somewhat better when I thought there was any chance at all Shinsou might end up in Class B—I kind of loathe that he wound up in Class A for the self-evidently terrible reason that it’s The Main Character Class, when it seems so obviously a conflict of interest for Aizawa to be teaching him.  But eh, it’s okay; it just means Monoma will have to nobly learn to look past it after a lot of time spent being completely obnoxious about it.

My annoyance with Shinsou’s class placement aside, Monoma is one of my favorite students, and I like that he immediately latches onto Shinsou as a kindred spirit.  And, like, if that were 100% one-directional, I would probably shrug it off, but Shinsou, despite trying to play at being aloof, does actually get invested enough that he gets pretty bothered by the idea of Monoma needing help, even in something as inconsequential as a class exercise.  It’s just a much, much more interesting dynamic than Shinsou has with Deku or especially Kaminari.

Also, as someone with a bit of a Thing for mind fuckery, the way Copy and Brainwash can play off each other is Good.

MomoJirou: The fanart is cute and I like Momo better than Kaminari.  And the culture clash thing is fun.

Shouto/Inasa: The fanart is cute and I like Inasa better than Deku or Bakugou.

   

Professional Sphere:

Hawksdeavor:The age gap adds flavor.  The fact that Endeavor is still married but deeply unhappily so makes it even spicier.  The difference in what they represent (or could potentially represent) to each other is the best part, with Hawks, for Endeavor, being someone who represents a totally clean page, while Endeavor, for Hawks, represents a lifelong adoration.  Finding each other’s reality in all of that would be an interesting relationship arc and could be extremely fulfilling and strengthening for both of them.

The spoiler is (or at least should have been, if I’d been writing the series) their divided feelings on Dabi.  Honestly, I really wanted to see them clash over the matter of Touya and how to deal with him, with Endeavor wanting to save him but not knowing how and Hawks just wanting him gone but not knowing how to get away with it.  A certain pair of facts is glaring to me: first, that Hawks was a chief architect of the second war’s battle plans, whereas we never saw Endeavor involved with them at all, and second, that, when the big day came, Endeavor was slated to fight All For One with Hawks at his side despite at least some guilty protests from Enji that he really ought to be facing Dabi.

It smacks strongly of Hawks making some profoundly selfish decisions under the guise of clear-headed strategy and I really wanted it to blow up in his face when Dabi found his way to their battlefield anyway.  Pushing Endeavor into a place where he had to choose between them and ultimately chose his son (say, by protecting him from an attack coming from Hawks) would have been validating for Touya, done a lot to lever Endeavor’s arc out of the reactiveness and passivity that drag it down so badly in the canon, and also handed Hawks a real consequence for how dismissively he treats the lives of Villains and how much he’s tried to avoid reckoning with both Endeavor’s abuse and Enji’s own attempts to do said reckoning!

In summary, Hawks and Endeavor could be very good for each other, and the incredible amount of baggage they’d have work through first would be key to either making that good ending feel earned or lead to them dramatically and deliciously imploding.  Either one works for me, and either one, even without the romantic angle, would have been more interesting than the pablum we got.

NightMight: Speaking of could-have-been-good relationships that dramatically imploded!  I love Sir Nighteye as the most visible cost of All Might’s lifestyle, the one he lost because he couldn’t step away from the path his ideals had set out, and how that ideal inevitably took him full circle so that he found himself standing, for Deku, in the same place Nighteye once stood for him.  And of course by then it was too late and Deku wouldn’t listen to him anymore than he himself listened to Nighteye back then.

But Nighteye didn’t give up on caring about him, even if he had no avenue left to express it but throwing himself into finding a successor All Might would accept, which led to Nighteye's own (wonderful) relationship with Mirio.

Just great, difficult, adult stuff about irreconcilable differences that never stopped them from caring about each other even as those differences forced them to their parting of ways.

Mount Lady/Kamui Woods: They’re cute and I like the idea that they both have trouble, for opposite reasons, with cameramen.  I like that he calls her just Lady when he thinks she’s in trouble.  And not to put too fine a point on it, but I like that they’re kinda the most explicit Pro Hero couple and yet she’s the more prominent and important character with the more visible arc, which is a nice contrast to most of the other hetero relationships in this benighted manga.

   

Other/Cross-faction:

Togachaco: The yuri ship that could.  My god, the canon divergence I want to give these two.  You know why I want Deku and Ochaco to not be together in the end?  Because I want Ochaco to realize that she did everything in her power to save her Villain while Deku—after all that talk on the cliff!—just killed his, and triggered Toga just before he left to do it, meaning Ochaco had a harder time with Toga than she might have otherwise.

But, I’m not here to talk about No. 2 Green; let’s talk instead about the canon divergence where Toga survives (shove that absurd death-via-blood-transfusion right into the incinerator) and then Ochaco has to come face to face with a system that does not want to let her be anywhere near as kind as she wants to be.  The canon divergence where Ochaco realizes that her forgiveness is immaterial to justice, where she watches the system she fought to defend gear up to try Toga as an adult because Japan needs a scapegoat for the destruction of the war and all of the people who are actually most responsible are already dead or dying.  Where Ochaco realizes that she has to do something drastic if she doesn’t want to live the rest of her life haunted by the knowledge that her compassion got a 17-year-old victim of emotional and psychiatric abuse executed by the state.  The one where she decides to take a fucking stand, and it forces the rest of her class to confront that need as well.

“The cutest girl in the whole world,” my god.

Kotarou and Nao: I’m not as big on it by the time we’re seeing them in the Tenko flashback, though I certainly wasn’t pulling for some mean-spirited, allegedly feel-good “Nao slaps Kotarou and the whole family walks out of him” thing like you see in fanfic sometimes.  No, what I really like with Kotarou and Nao is thinking about them when they’re both still young, in the stretch of years where they really think they'll be happy together.  That her being with him can make all his problems go away, that him being able to bury his past and be better than all the people who hurt him (and there were so many people who hurt him) will be enough, that love is the answer to everything. Sure, the cracks are there, but they’re thin, and they can be hidden beneath all the days when things are good, when the two of them hold each other and feel safe and loved and sure.

The cracks are still there, and love isn’t enough when love becomes a band-aid and a blind eye.  But the love is still there too, and it’s so fierce and so desperate, and it still won’t save them.

Sorry, everyone; they make me emotional.  They are beautiful in the way of sparks dancing above flames, or early flowers blooming right before a vicious cold snap.  Ah, me.

StainMight: GOD, All Might really needed to grapple more with Stain’s side of his legacy.  Like, StainMight is really a victim of the way the story looked like it was setting up to criticize All Might’s methodology as well-intended but not sustainable long-term, but then, like every other aspect of the series that was about systemic critique, that criticism just evaporated and Stain became an All Might cheerleader with nothing to say about the system All Might supported for thirty years.  Maddening!  But for real, All Might should have been badly hurt in that car attack and then rescued by Stain, both to give Deku some stress about how All Might could be in danger after they parted on bad terms, and also to really make All Might have to sit with this opinionated zealot all-too-prepared to talk about how no one else is really living up to his example.

And there should be UST the whole time.

Yoichi and Kudou: I am almost entirely negative towards the OFA Collective these days, especially Kudou’s role in the endgame, but I still have some fondness for what he and Yoichi could have been.  My god, the first One For All transfer really should have been because they kissed.  More beautiful, more tragic, more profound, and preserves the Yoichi that had some actual fucking agency in the life he lived instead of just constantly being AFO’s or Kudou’s trophy princess there to talk about how respectively terrible and awesome they are.

TogaTsuyu: I just think it would be interesting if Tsuyu were actually allowed to be more present in the Toga plotline, rather than only arriving as a spoiler to avert major shifts every time.  Toga says she likes Tsuyu, too, after all, and Tsuyu is so different from both Ochaco and Deku, so much more thoughtful and considered.  I dunno, I just wonder how things might have gone if, for example, it had been Tsuyu that Toga managed to draw away in the Jakku fight.  Given that side story with her snakey friend Habuko, evidence suggests that Tsuyu is a good deal more observant and intuitive than Ochaco, and I wonder if she might have been able to suss out what Toga was actually asking there better than Ochaco did, and how that might have changed things.

   

.

.

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THE TUMBLR PROBLEMATIC ZONE:

Gentle Criminal and La Brava: I was willing to follow the canon’s initial vagary about these two, but I also like them quite a bit together, so if canon wants to put them in wedding rings at the end of the series, that’s fine by me!  Yes, I’m aware that there’s a pretty significant age gap there, which would have been at its most apparent when she first sought him out, but I don’t for one single instant believe that he’d be anything less than a total gentleman to her.  Indeed, it’d be entirely plausible to mount an argument based on his behavior that they were not at all romantically involved circa the Culture Festival arc,[4] and only become so after Gentle’s imprisonment and subsequent release.  But in general, what I’m more concerned with is the dynamic—I regard a power differential in a relationship as a reason for both parties to be cautious and mindful of that differential, but not as an immediate game-ender.

4: Most obvious is that when she says, “I love you,” he only says things like, “Thank you,” in return.

In that sense, Gentle and La Brava are great—they click together perfectly and obviously make each other tremendously happy after a lifetime of rejection.  La Brava, in Gentle’s theatrical attention-seeking, finds someone who accepts her overflowing way of showing love; Gentle, in living up to La Brava’s feelings, finds a reason for his skewed heroism beyond satisfying his pride.  To whatever extent their life together was heading anywhere bad (and there’s no evidence of this at all save that Heroes were always likely to catch up to them eventually, making La Brava’svery extreme response to Gentle’s defeat likewise inevitable), Deku’s intervention got them off of that path and back onto one that let them be accepted by the world, which they seem to have capitalized on marvelously.

They’re the only Villains I can think of whose turn to Team Hero in the endgame works for me without any significant quibbles.  Good for them!  I hope they are so, so happy together, because they deserve it.

AFO and Kotarou: MEANWHILE, IN MY OTHER KOTAROU SHIP.  I love AFO knowing Everything about what he’s doing here while Kotarou knows absolutely Nothing about what AFO is doing here.  I love an AFO who is self-amused in being friendly and reassuring and distractingly attractive to Kotarou, an AFO who knows that his toying with Kotarou would make Shimura Nana sick with terror and rage, and even if she isn’t alive to be so anymore, the fantasy of it is satisfying enough, especially since Kotarou is himself a very handsome young man, one whose hurt and resentment AFO finds beguiling to sometimes prod at, as if unable to leave a bruise alone except the bruise isn’t on his own skin.

I have an AU I’m never likely to write where Kotarou winds up successfully knocking out Tenko on the night of the accident before going on the run with him, only for them to get picked up by AFO a few weeks later, and let me tell you guys, that’s where all my guilty pleasure AFO/Kotarou really lives.

That said, I liked this one much better before we got the opening for it in canon, and not just because AFO’s disguise persona was doofy-looking instead of devastatingly handsome.  It was always one of those ships that tickled my inner hedonistic wickedness fancier but that I never wanted to be canon because my affection for the ship's vibe was not more important to me than the integrity of Shigaraki’s arc, and Shigaraki’s arc was far better served by his early childhood being as free from AFO as possible.  Alas, the reveal is very AFOtarou but at what cost.

Dabideavor: Sorry not sorry everyone, but all the people screaming about how this is SICK FILTH seem to have missed the point that it is indeed, absolutely and completely, sick filth and that’s part of the appeal.  Personally, I like it for two main reasons.

Firstly, I want Endeavor to have as hard a time as possible, and times don't get harder than this. I enjoy it when he's frozen and helpless in the face of the son whose life he destroyed because I have a long history of enjoying stoic male characters being made vulnerable through suffering.

Secondly, and more importantly, I like it because I like the version of Dabi you see in it, particularly compared to the Fanon Dabi who made so much League of Villains fan content un-fucking-readable for years.

I'm going to try to keep the hot fandom tea to a minimum here, limited to the upcoming footnote, but I hated Fanon Dabi.[5] He was an incoherent mash of a character designed to be a vehicle for the unabashed revenge fantasy of bloody murder against Bad Dads while also presenting no danger whatsoever of splash damage, a Woobie Big Brother who was completely harmless except to the father whose organs he was planning to paint the walls with. Every excuse that could be made, would be made, for Dabi's more questionable or even outright nasty moments, even if it meant minimizing or outright erasing the harm we saw Dabi do, right there on the page in literal manga monochrome.

5: There's a particular type of flanderization that goes into Fanon Dabi, the same kind of flanderization I saw attached to Steven Universe's Lapis Lazuli, and which informed the absolute umbrage certain people took with Rebecca Sugar for describing Spinel, the SU movie's villain, as toxic. There is a portion of fandom that loves abuse victims who get angry and lash out, but which will go absolutely ballistic at the slightest suggestion that abuse victims are themselves also capable of harm, that lashing out has the potential to hurt innocent people. In a perfectly executed DARVO, it becomes "victim blaming" to confront an abuse victim about the very real abuse they're inflicting on others. I only specified fictional characters here, but it's a dynamic you see in real life, too. Some people hunger for nothing so much as an acceptable target and abuse victims are not exempt from that statement.

The Dabi I thought was fun was the high-energy maniac who doesn't give a shit about anyone else getting caught in the crossfire of his revenge. Both that version of Dabi and the Endeavor who's paralyzed with guilt and despair are facilitated by Dabi’s father-obsession having a taboo sexual dimension to it that Dabi is all too ready to shove in the face of absolutely everyone who would think worse of Endeavor for it.  That means Endeavor himself, of course, but also all the good little civilians who Endeavor keeps telling to watch him.  Watch this, says Dabi, as he makes lewd hand gestures on force-streamed national television.

It's not about Dabi healing as an abuse victim, and it’s not about Dabi having a fulfilling arc—covering that stuff was canon's job!  It's about the fact that I, for reasons both personal and related to fandom spite, am personally entertained by Dabi being pedal-to-the-metal deranged about doing whatever it takes to seize Daddy’s attention and never let him look away again, which also means acting to ensure that no one is capable of or willing to save Endeavor from that fate. Like, if you want someone who would spend ten years plotting the most agonizing possible way to torment his abuser, then it’s sophistry to suddenly declare some agonizing torments off-limits.  Dabideavor is just committing to the bit.

[suffarustuffaru]

Scrolling through your blog is such a fun experience, you bring an absolutely great vibe to this fandom and I love it SO MUCH. Could even say you restored my hope in it, since there has been some aspects that made me force myself to leave it, and I hope me bringing one of them up here won't upset anyone.

Now I completely understand if you wish to not answer my ask, but I figured it's worth a shot. So, one of said aspects was a controversy regarding one of the rezero characters that made me feel like you can't mention them without being called names (mostly on tiktok, but other social media also, tho not as much).

Yeah I'm talking about Felix. I'm not transphobic by any means, and I'm fine with people headcannoning whatever they want, but seeing thousands of people calling others transphobic for calling Felix a 'he' made me so unsafe I forced myself to look for other interest. Which is funny since most of the people saying this weren't even part of the fandom. I was wondering if anyone else here had similar situations and just.. how do you deal with it? It seems silly, I know, but feeling like I can't speak about a rather important character from a media I love made me so upset.

No matter how much I tried explaining it, they either dismiss it or say Tappei made him a trans girl without knowing.

Now, if you do decide to answer this and say that Felix indeed may have been 'trans coded' a little bit (Did I used that term correcly? Idk) I'll understand (hell, I would probably agree, you character analysis are great), I'm just upset at the absolute lack of respect for any other way of referring to Felix other then she/her.

(Also in case people don't know, their proof of Felix being a trans girl is the scene from EX1, with the whole calling himself a girl in front of a mirror thing)

Sorry for this is being long and probably messy I just had to get this off my chest.. also I hope I didn't came of as offensive in any way, if I did I'm really sorry.

hi there anon! first of all - aw thank you for your compliments about me and my blog. im super passionate about rezero (though thats probably super clear to anyone whos seen any content i make for a while aljsdlkf) and well. ive been lurking about in this fandom since summer 2020 so i definitely understand having to leave/distance yourself from this fandom because outside of tumblr, the rezero fandom is kind of . well. to put it simply, theres a lot of metaphorical landmines unfortunately!! T^T and admittedly i wouldve left this fandom a lot sooner if i didnt stick to my own corner and curate spaces with other people who were super chill (like lots of people lurking about here on tumblr + rz tumblr in general!!). so i totally understand how you feel anon (and youre not silly for being upset, i promise!), though admittedly im not super super familiar with some rezero spaces (such as rz twitter) bc i 1. dont speak japanese and 2. i try very hard to avoid the negativity whenever possible!! T^T

and also i apologize for taking a while to answer your ask!! you're one of my older asks that kinda got lost in my drafts hah but i also just wanted to like. take extra care with your ask bc its a super important topic. like not just to me (though its definitely important to me) but its important in general. and i really like felix so. <3

a quick disclaimer is that i myself am not transfem. i am however afab and most likely genderqueer!! (im winging it as i go hah.) felix is also not a character id say im as well-versed in yet, but i do like felix a lot and ex1 changed my entire brain chemistry. and ill also be defaulting to he/him pronouns in this post because thats what he uses in canon.

felix is - at the end of the day - a fictional character, and tappei is a cis man who doesnt Entirely write characters like felix through a queer lens. arguably tappei is Self-Aware when he writes characters who are into other characters of the same sex (though the Representation is arguably a little bit questionable at times depending on how you look at it), but when it comes to characters like felix or subaru who have some Gender Stuff going on, it's more nebulous there. i dont know if tappei 100% realizes he's made characters that could be read as Trans/Genderqueer (emphasis on "read as", because i support different interpretations of these characters), but tappei Definitely Is Very Aware that gender and gender presentation and gender roles are super important when it comes to characters like felix, subaru, and crusch.

i think tappeis own perceptions of gender and gender roles do bleed a bit into the text as much as tappei is pretty purposeful with themes surrounding gender in rezero, but rezero itself still has all sorts of identity issues to explore with a lot of its characters and gender is a big part of that!!

so first and foremost im gonna be examining felix the best i can Purely Off Of The Canon Text, though i do like viewing rezero from a queer lens myself (and it is arguably very queer). im gonna talk first about felix and then ill move onto talking about my personal feelings on rezero fandom stuff :o !!

so felix's relationship with his gender is complicated and he Absolutely does not fit into traditional gender roles or gender presentation right now. these are undeniable. and if people headcanon felix as transfem thats totally understandable and valid!! but to say a headcanon is 100% canon and that other interpretations of a character as complex as felix are invalid isnt exactly it. for sure. i mean i myself interpret him as nonbinary haah. but felix's relationship with gender is so so so So complicated that i dont think you could just say hes transfem and then Not Elaborate More.

but regardless of how Exactly you label felix, i think you could possibly say that hes trans coded. tappei, even if he probably doesnt entirely know hes made pretty genderqueer characters, is Aware and Purposeful of how gender affects felix and his perception of himself and his identity and other peoples perception of him and this is brought up Over and Over Again in canon—felix’s gender identity, at the moment, aligns more with femininity in his presentation in every way, though he still perceives himself as masculine. felix’s case is complicated, and while im not entirely sure on this i think you could argue that hes trans coded—“coding” suggests a level of intent when making these characters, and i think that intent is present in some way with tappei. because tappei Knows just how important gender is with felix’s character and you can tell with how often and how Integral it is to felix’s entire character.

(more under the cut) (i do have a habit of being rambley/wordy sometimes if. if you couldnt tell already. but i hope this response is up to your standards!!)

these three analysis posts on felix's relationship with gender have all discussed this topic in-depth before i have, and i 1. really like the rezero content i see from all three of these people and 2. they All have slightly different takes based on the canon we have but also some similar points. because felix is complicated!! of course our takes are probably gonna be a bit different - he's a multifaceted character with such a complex relationship with his gender that it's hard to tell what every single one of his personal feelings on it is (especially when at the moment he hasnt appeared in the main story since arc 5 and he still has a Lot of character development to do). and of course fiction is fiction, we can all take away any sort of meaning from a story like this.

but you know. this is my post so im gonna try to analyze felix right now and say my two cents on what i think of his relationship with gender.

so im gonna try not to retread too much on what liquidstar, sufferu, and gourmet of gluttony have already said about felix (and i think theyre all very smart people with interesting analysis posts and theyve all explained their thoughts pretty well) and instead add on with my own thoughts - theres this felix excerpt from arc 4 wn that i think about sometimes. im gonna put it down here!!

and also important to note—like other people have mentioned, crusch and felix made a “deal” of sorts in the past where crusch takes on felix’s masculinity and felix takes on crusch’s femininity. and also like other people have said—and i myself have said in the past—i do have some mixed feelings on this wkdndn and as i said before also i do wish tappeis feelings on gender bled a little less when theyre Not Integral To The Story. bc i dont think tappei 100% knows hes made trans coded characters, but. anyway yeah so thats the whole deal with crusch felix. and in its own right i think it has So Many Interesting Implications!!

i think when it comes down to it, gender presentation IS a bit of a performance, isn't it? like i love to wear dressses and skirts and i love to keep my hair short and wear suits, but you know - these sorts of things tend to be gendered. our gender is often perceived through how we present ourselves, but in recent years gender roles being attached to clothing has gotten a bit less Rigid. but these rigid roles associated with presentation are even more dialed up to Eleven in a medieval world like the rezero fantasy world. and i dont use the word "performance" in a negative way -

what i mean is that when it comes to felix's character, does felix think he's a boy because that's what he's been told? does he think he's a boy because he TRULY sees himself that way, or does he THINK he has to see himself as one? does felix try to present and perform femininity, ie as or like a traditionally feminine girl, purely ONLY for crusch's sake, or is it because felix ALSO WANTS to? what does felix think of gender outside of crusch? who is felix outside of crusch? who is felix outside of tying his entire personality to other people? does felix’s femininity show the “radiance of ferris’ soul” bc of the deal he made with crusch or bc this truly is felix’s soul? these are like the big questions behind his entire character and character arc that would determine in the end how felix identifies in both his gender and In General.

so what is felix's identity at the moment? bc right now, felix is stuck between his feminine self, tied to crusch, a symbol of crusch, tied to his own reliance on crusch and worship of her—and his masculine self, someone broken off from crusch. felix is tied to crusch right now to worrying extents with his obsessive devotion to the point of changing himself to mold into her image, and beyond that, hes still tied to guilt surrounding fourier’s death. gourmet of gluttony puts all of this way way more intelligently than i ever could, but at the end of the day, i think the best narrative decision here would be for felix to accept himself in ALL of his entirety.

healing in rezero is noted to be a kind power, specifically by fourier and fourier saying this right to felix when hes the most talented healer in lugunica, and healing itself is often stereotypically feminine activity. knighthood is stereotypically masculine, and on top of all this, we see in ex1 that biehn argyle twists the power of healing into something grotesque—trying to bring back the dead and revive what cant be revived, which is once again another reoccurring theme in rezero.

how far can “from zero” go? what HAS to stay dead and what can be revived? who is allowed to live? HOW do you live freely? felix is someone born from a horribly abusive and neglectful family who twisted healing magic’s kindness into cruelty, felix is someone who was taken into a family that showed him kindness and now hes desperate to pay them back with everything he has and everything he is, felix is a healer who lashes out when hes cornered and a healer who treasures life and a knight who cant physically fight like the others, felix is someone stuck with the horrible knowledge that he cant save everyone—that some things just Couldnt end better no matter how much he wished for it to.

felix is stuck between all kinds of worlds, and in terms of gender, hes quite literally still stuck between boyhood and manhood in the biological sense—hes purposefully made it so that he hasnt hit puberty yet so he can better pass as feminine. he hasnt Physically Grown past puberty—which is the mark of becoming an adult. and he hates himself in a number of ways, but he also hates himself for failing to be traditionally masculine. his abusive family stole ten years of his life and the torture left him physically weaker, so he cant be strong physically, which is something associated with traditional masculinity. felix is the best healer, a traditionally feminine job and skill, but he cant save everyone. felix becomes more feminine as part of his deal with crusch, but while crusch accepts her femininity and masculinity readily, and while crusch’s memory is erased by gluttony—felix is left behind, alone, still holding onto femininity while not entirely being able to hold onto it while he also cant entirely hold onto the traditional masculinity he expects out of himself. and with arc 3 on, felix feels hes failed both fourier and crusch. the two most important male and female figures in his life.

felix is basically stuck in this liminal space where hes not Enough for himself in literally every direction, and the only way out is to accept every part of himself and move forward by trying to define who he is without other people—his birth family and his found family dont define him. they can shape him, sure, but he has to stop shaping himself to meet them and figure out how to let himself just. Be. and take up a space thats firmly his. from a queer lens, this kind of thing is pretty queer—because to stop being in between worlds, you have to accept everything instead of splitting yourself into halves over and over again. killing or maiming yourself or parts of yourself is no way to live, and felix is Life itself.

and i think regardless of the Exact Labels you could give felix, i think his arc—which is perfectly in line with all of rezeros themes—is inherently about self acceptance and the bridging of the gap and combination of femininity and masculinity. felix is both and identifies, in one way or another, with both, similar to how he loves someone who identifies with both (crusch) and just as hes loved her and fourier. imo it wouldnt be right for felix to choose one or the other in terms of feminine vs masculine—he needs to be the one learning and navigating his honest feelings on both sides bc i think he Yearns to be both. hes a boy who dresses like a girl and its up to him to know if he wants to be a man and/or a woman due to his own internal desire or if parts of that is Only due to external pressures.

--

and alright now that ive said all my thoughts on felix atm im gonna address the other questions you had in your ask!! note that this is just my opinions and thoughts regarding my own experience in the english fandom, you dont have to agree or anything 👍

but i AM very sorry about your negative experiences in this fandom. T^T people calling other transphobic for using he/him for felix (and also people being transphobic about characters like felix or subaru/natsumi in general) is something ive seen as well. the rezero fandom is sadly very often toxic and Bigoted in a lot of ways (with the exception of rezero tumblr and certain segments of rezero ao3, from what ive seen), which is Ironic for a story thats so clearly about love and self-acceptance, which is also ironic because arguably tappei and otsuka and the rezero marketing team (i Love the female characters in rezero but theres just so much sexualized or vaguely sexist merch/moments that dont add to the story, you know? kind of just. misses the point of their characters sometimes.) sort of contribute to it a little bit as much as tappei does do some really great things with his writing.

rezero is the first fandom ive been active in but its definitely not the first ive ever been in, and ive been in some insane fandoms before. like i said earlier though, i think i just cope by curating my experience to what i like, yknow? liking posts i enjoy, looking at stuff i enjoy, etc :O !! fandom is a hobby so i try not to look at negative stuff when i can help it wkdnd. which im sure youre aware about already but i always have to keep reminding myself of this bc places like rezero reddit or twitter get pretty rough!! but its really helped me just following artists and creators i like, enjoying their content, chatting with cool people i vibe with, rezero tumblr being the chillest rezero space in the whole fandom, and its also helped me a lot making rezero content of my own—like this whole blog!! its really shocked me how much people seem to value my thoughts enough to ask me things frequently but i appreciate it pfft. and i hope you guys like reading my posts!!

but yeah like. curate, curate, curate. it helps a LOT and it gets me excited to experience rezero not only by myself you know? not that i didnt have fun by myself but its its own level of fun finally finding spaces to have fun with others!! and i LOVE finding beautiful fanart!! chef’s kiss. and trying to be the change i want to see is satisfying on its own :,) i want to post random shit about rezero, so i post it. i want to make fanart for fun and share it. i want to brute force people into loving otto more so i ottopost (dont worry, i still hate him bc true otto fans also hate him at the same time <3 /lh). i want more queer rezero content so i try to make some more!! brings more personal power i think and its very fun!! and it helps with lessening the quiet despair of fandom toxicity ;-;; (which is something ive done many times and will continue to do sometimes so i feel your pain 🫂) and i promise theres cool people in the fandom 👍 i may reply late to asks or dms but im ALWAYS down to talk about rezero things its so fun 👍👍

and its really really hard sometimes to deal with fandom toxicity especially if its forcefully knocking at your door—definitely dont force yourself to stay or look at things if you cant, bc thats totally understandable!! and i myself have been harassed a little in the past. but definitely having some sort of coping—the block button, backing out of things you dont agree with or like, lots and lots of curating, etc—helps me a lot. and i think mental health wise i feel much better trying to look on the bright side of things!! its MY hobby goddammit!! ill fight people subaru-style if they try to poison it!! and however long anyone reading this decides to spend with rezero and rezero tumblr—you are welcome here 👍

but yes my very Long rambling aside - i hope this post somewhat helped you!! felix is a very important character that i like very much and need to learn more about and i have Many Feelings on the english side of this fandom, but im very grateful to all the cool people ive met over the years here for sure!! :o

also ill probably post the finished version soon but if youve read this far here is a sneak peak of felix art i did recently (just as a reward for once again reading all of my Endless Yapping)👍👍

[kaija-rayne-author]

Review 10.3 of Dragon Age Veilguard

74 hours in, 72 playtime

Obligatory disclaimer, feel free to jump to the cut if you've read it.

Something came to my attention. I need to make it crystal clear that I utterly love the diversity in DAV. It's fantastic. I'm also a heavily left leaning, non-binary, queer as fuck reviewer, editor, and author.

I'm on media blackout while I play this, so I'm only getting second-hand info on how awful it is right now in the DA Fandom. Please be safe and take care of yourselves. Arguing with incels and white supremacists is completely pointless. They sea lion worse than an actual sea lion. Your mental health is important.

Though, every single time the anti-queer brigade comes out for a new DA game, I sit there thinking 'have you bozos ever played any DA game, like, ever?' My guess is nope.

Spoilers for Dragon Age Veilguard

Section 10.2 here.

So. I didn't want to play tonight, didn't really have the energy. But I legitimately fear if I don't play for even one day, I'll drop it and not come back. I have ADHD, its a strong possibility, and I still want to see what happens in the story for myself.

I hereby announce that I am, in fact, Eating Crow. Game Lucanis is way better written and developed than in his intro story.

And Lucanis did let Emmerich help, after all. Plot hole taken care of.

That's it? That's all we get about The Titans? After all the previous foreshadowing, we get a single companion quest to find out and resolve (completely unrealistically) the entire issue of The Titans? Are you seriously kidding me?

I need a stronger word than flabbergasted.

Discombobulated. I'm discombobulated at the sheer level of mishandling so many incredibly important aspects have been treated to in this game.

Yes, it's nice to get confirmation about my guess to the history of Titans and Elvhenan... but are you seriously fucking kidding me?

Lucanis talks about coffee more than we get something as important as the Titans settled.

Anywaaaay.

Called it on the identity of the Gloom Howler. And the 'reason' for Isseya to be doing the exact opposite is 'she's been driven mad by 400 years of guilt for following orders'? Edit, it's been pointed out she's suffered the blight for 400 years, too. The blight, in the Lore, basically makes creatures start digging out dragon/arch demons. Because all they can hear is 'the song'. There have been speaking hurlocks working for the benefit of the unblighted. There's the Architect, who keeps showing up and is sane. If directly opposed to anything mortals would want. There's no support in the Lore for blight making someone mentally ill. I truly just feel it's bad writing.

That is so over the top ableist I'm not sure if I can describe it in small enough words why we shouldn't say grief and guilt makes us fucking mentally ill in a dangerous fashion! There isn't a mental illness that I'm aware of that includes a person completely reversing deeply held, sacred beliefs so they do the exact opposite of what they've previously sacrificed so much for.

Crazy and mad both mean mentally ill. That's why calling Isseya mad or crazy is ableist. Isseya would protect those griffins, She’d very possibly steal them to protect them from the wardens. I could see where, out of fear, she'd decide that the Wardens weren't worthy of the griffins after all.

What I cannot see is her sticking a knife into the skeletal remains of a 400 year old arch demon dragon and actually finding liquid blood. That's some foolish jurassic park nonsense. Thinking maybe she got it from the blood marrow? That's dried and almost dusty within a century. Or turned to a rocky like consistency. I don't care how magical the creature those bones came from was, that's just not happening. It's ridiculous.

What I cannot see is her then using that to infect the griffins she fought so hard to save from that very fate.

Last Fall wasn’t my favourite of the books. But both the writer and the character Isseya deserve fucking better than what the end of her story will likely be. I can think of two ways that dumpster fire could be satisfactorily fixed, but I have zero trust in the Bioware writers anymore, so I highly doubt they're going either direction.

And outright stating that too much emotion makes us dangerously mentally ill... I've always said Bioware had ableism problems. I've said they need to hire diversity editors.

I'm utterly appalled that they thought that whole storyline was even remotely okay on any level.

So. Do I have this right?

The Evanuris did lots of bad things. One of the worst was severing the Titans and the dwarves from their dreams.

The Evanuris bound themselves to high dragons, blighting them, and they did this for more power.

The blight is somehow The Titans' or dwarves or both severed dreams? If that's the case, the blight should now be receding or cured because the Titans have been 'fixed'. In a completely unrealistic and ridiculous manner that does a disservice to the whole damned Titan Evanuris war, but hey. I'm used to bad, nonsensical writing. Especially in this game.

Solas made the veil to imprison the Evanuris? Bad side effects. Which, in the Lore, include the death of magic in THEDAS and the eventual death of the realm itself. But we're apparently conveniently brushing that under the rug of bad writing to drive through a story that makes no sense.

He tied the veil, their prison, into their life essences.

So the theory they seem to be going with is that by killing the arch-demon dragon, the Evanuris will become mortal.

They were mortal before they bound dragons to themselves for more power. Mythal was mortal. She was murdered. (Oopsie, even bound to her dragon.) But the Evanuris, the first elves, didn't age and were eternal. They could be killed, sure, but just regular living, even inside a prison, wouldn't have killed them. So why exactly would all the other Evanuris be dead? Just killing their dragons wouldn't have killed them. If they were somehow dead... Wouldn't that have thinned the precious veil that they've spent three games, numerous books etc. stating was thin and as full of holes as my grandmothers crocheted doilies?

Somehow, the veil is completely all better now and holding back a world of blight that never existed in the fade except maybe in the black city? We've been to the fade several times in this game and seen no blight.

How exactly is the blight the corrupted dreams of dwarves or Titans? Does that make any sense to anyone else?

Does that mean that Genlocks (blighted dwarves) dream?

And the veil is what separates the world and magic/dreams/world of spirits?

If the so precious veil is tied to the life energy of the Evanuris... and the veil was created to contain them... what exactly is going to happen to said veil when those Evanuris die?

Either I've figured out the end of the story, or found plot holes the size of Texas if they try to say that veil is still in place once Gilly and Eggy are dead. (Why again are there only two Evanuris left? Have we gotten an answer to that? That makes any sense?)

They've made the answers to everything too pat and yet so convoluted they're tripping over things they've said are fact in this very game.

I just... how? Why? What the actual fuck? How is the writing in this so reprehensibly bad?

I can write better stories in my sleep FFS. And have. One of my published novellas was a dream before I wrote it down. And at least everything makes sense in it.

Section 11 here.

[angel---eater]

im so curious what u mean by the vriskafication of jegbert? /genq

ive been watching the hs fandom from afar since the epilogues were dropped.

this is a rlly good question- i have a lot of thoughts and feelings abt june and how the fandom has taken to her her and is now portraying her in popular fanon. im so sorry this has gotten so long. im also sorry if i say smth you or anyone reading this disagrees with, but in my experience this is kind of inevitable when it comes to the topic of june egbert, trans characters who havent come out in canon yet, and trans headcanons as a whole. this shits personal to all of us and we all have different perspectives on transness, and oftentimes how we view transness in fiction is very much coloured by our own gendered experience.

it boils down to: can we please fucking let trans girls live. we are so fuckin weird about transfem folks and trans girls/women, even in fiction. sometimes especially in fiction, actually. especially on this gd website. if i have to see one more person defending june (and tgirl roxy) as a concept, and through that, defending real life transfems existences by talking about girldick or being a sweet docile sugary femme babygirlie kittycat, i will turn everyone into a fucking goldfish and flush you all one by one down my toilet. this, again, also extends to how a lot of the fandom handles trans headcanons in general, regardless of gender. all of what im about to say is from watching the homestuck fandom and fanon grow and change over 10+ years, basically since the beginning on this site specifically

some disclaimers for my trans resume i guess: i am intersex. i am plural. we as a system identify systemwide as transfemasuline or transneutral in an attempt to both honor and not speak over each other in terms of gender expression and individuality, while also trying to condense our existence for singlets to understand better, faster. we dont have time to explain all our shit all the time lol. we have transfems and transmascs in our system and everyone getting a fair, even chance at their preferred presentation is how we roll. we have lived a transfemasculine life. you cant put us in a single blue or pink corner, it wont work we are immune to that bullshit.

the vriskafication of june egbert is basically me trying to short-hand describe the way that ive seen some fans portray june post-transition by turning her into a mean girl[tm] type of person. there's also the roxyfication of june egbert, where other people make her a ditzy bimbo who can do no wrong because 'shes a girl now' and thats apparently how ppl still think girls should behave?? jegbert's canon personality traits need not apply anymore, apparently, bc that was icky boy behaviour. ghostbusters who? she likes shopping now. fanon june is sometimes eerily similar or exactly like vriska (fanon, woobified vriska, mind you, bc we still cant get a grasp on vriska as a fandom either) while also dressing very high femme and only high femme. because she has to perform someone elses femininity (spoiler: our own concept of what girls 'should look like' to be considered girls) instead of her dads masculinity now. shes either mean like vriska, or dumbed down like fanon roxy, who again has been watered down into a ditzy dumb girly girl who has done nothing wrong ever, bc shes 'just a girl', and bc people get Uncomfy when fictional tgirls do bad things. and oh boy has canon roxy done some bad things

as a counterpoint to my aesthetic based grievances, which are entirely personal- you can portray june egbert however you want. i personally invision her as very butch, but i could be totally wrong! im not even trying to make guesses here! this is my personal make-believe! she is not a real person and has never actually appeared as herself in canon. we dont know what junathan would/will be like during and post-transition. we dont know what an egg crack event will do to them. but some of the ways ive seen june portrayed feels........ off, personality wise. very off. and thats what i care about. it feels like malgendering in way too many cases, with the ditzy girliepop/catty girlbully thing. its straying too close to the tgirl brand of madonna/whore that tfems have to face in real life constantly. this is especially bad for tgirl roxy but i'll get to how fanon vs canon roxy is handled later

i use the word 'vriskafication' bc like vriska, june egbert (meaning tgirl jegbert, previously known as john in fandom and currently as john in canon, just to hammer it home that june and john are the same person, because some fans do seem to forget that john is living life believing shes a boy and a man right now and i dont think that should be erased) is still a pretty polarizing concept. fans either love her and disregard jegbert as ever having been john, or they disregard her as a concept in favour of how john is right now in canon. or theyre just straight up transmisogynistic about it bc they want their yaoi or their het ships. and BOY are some of the fandom not shy about that. which actually leads me into my next disclaimer:

im not including tboy/tmasc john headcanons in the above statement. i do not care about fighting over trans headcanons. i think that shit is just disrespectful and pointless and juvenial. you are fighting for nothing. june/john will not thank you for fighting for their trans rights bc they are not real and have no rights. june is not canon (yet) because she has not had that realization yet, and we dont know if/when she will. and genderbend aus have been a thing since the dawn of fandom anyway. more than one type of headcanon can exist at the same time. we are playing pretend. headcanons will never be proper representation. we are fans, not corporate entities or big directors or production teams churning out content for mass audiences. john has been considered a cis boy for FAR longer than june has been a popular concept, and you dont know how long someone has had or how close to someones heart their trans headcanon is, regardless of what flavour of trans headcanon it is. its rude. some of yall are so fucking mean for no reason other than 'you cant sit with us. on wednesdays we wear pink' rules. very intentional reference there

and i mean okay, roxy. big pink elephant in the room. no one respects or even acknowledges the fact that roxy in the Meat timeline is transmasc and currently only uses he/him, and when they do they're bullied fuckin relentlessly and ostracised from fandom spaces. ive seen entire hate campagns specifically for badmouthing transmasc roxy fans to try to get them to stop posting tmasc roxy stuff, or to see it as transmisogynistic violence akin to shooting a real trans girl live on tv. i have seen these comparisons be made on this site. ive seen others get actually violently transphobic about it back in 2019-2022, and even now. ive talked to fans who were mass dogpiled and harrassed off tumblr for liking meat!roxy's direction, or even just not publicly condemning him while having a neutral stance. i myself have been instablocked from servers and off of ppls blogs for thinking tmasc roxy is cool and a good plot point for his overall personal arc, especially in juxtaposition with roxy's pregnancy in candy, and how that affected her rship with her body and her gender. ive been called horrible things for even considering roxy to be anything but DMAB. that chapter in candy where we get a glimpse inside roxy's head about gender was beautifuly written with a lot of tact for trans people who can be or have been pregnant and enjoyed it, something that is INSANELY RARE. UNHEARD OF, EVEN, IN MEDIA. so this really isnt about trans rights or representation from my perspective. its just gendered bullying and a whole lotta white knighting from people who are majoratively not even fucking transfem.

the same notes of trans coding for roxy that fans deem only as transfem could be seen as coding for transmasculinity too. yes, including the XY thing. does anyone remember what foreshadowing is. and all of this even depends, hinges, on whether hussie intentionally wrote ANY of the human kids as trans initially or had it planned from the very beginning, which i really really really dont think she did!!! in 2009??? yeah fucking right!!!! the entire thing about roxy and jane pressuring dirk and jake into relationships is about cis girls feeling posessive of and entitled to queer boy's bodies and attention, because its something they cant have, and cis girls are seen as a group of people physically incapable of harm, which is misogyny that directly effects cis girls/womens victims. its a direct mirroring to cis boys doing the same to queer girls. and as much as i love all flavour of trans reads for the alpha kids in fandom, i dont think i wouldve appreciated it in canon. i wouldve hated it, actually. it waters down the message and makes everything far too messy and open to bad faith interpretation. we need more trans characters doing bad things in media, but the era the alpha kids section of HS1 was being published was NOT the time. an inarguably canon tgirl character preying on an inarguably queer tboy in 2011-2012? there would have been blood in the streets. i VASTLY prefer fanon interpretations when it comes to the alpha kids being trans. i trust fans way more, but i obviously still have reservations about that which is why im here writing all this

to further back this up- hussie has also openly discussed having her eyes opened to queer issues BY queer fans WHILE HS1 was still being updated!!! THATS why you can see a gradual influx of genuine queerness in homestuck as you read it!!! the vagueness of the trans coding we percieve in the text is why tboy john is still so popular!!! WAY more trans experiences, especially in childhood, are more similar than The Current Discourse bad actors will try to have you believe. please dont believe them, they're not right in the head and the ppl trying to convince you that someone has it The Absolute Worst are lying to you. we all have it bad, thats how oppressive systems work. its just in different patterns for indiviuduals. a middle class trans persons oppression can and often will look VASTLY different to a poor trans persons oppression bc different axis of oppression are at work. it depends on the type of person our oppressors label us as, they dgaf if anyone identifies as TME or TMA. thats a little beside the point but its absolutely contributed to how fans treat fictional trans characters, especially in the last few years

i hate hate hate the ideology in this fandom that one trans interpretation or headcanon is more valuable, or hits harder, or is more idk narratively transcendient or powerful than The Other, so The Other is deemed boring/bland/sauceless/whatever and deserves all the hate and takedowns and dismantling and nitpicking it gets. the fans of this Other Trans Headcanon deserve their hate and calls to kill themselves because theyre just Wrong About It. but thats not true. none of that is true. you just dont vibe with other flavours of fanmade trans narrative. and thats completely fine actually. its literally like preferring carrot cake to raspberry pie. it is on that level outside of transphobic biases, and i sincerely believe that a lot of fans start out on that level, but dip into transphobic biases because of the constant fucking weird moral panic about trans girls, and by extension, young trans people as a whole. which is not fine. whats also not fine is attacking fans of trans characters over said trans characters gender, canon or interpreted!!!

to tie this tf up bc i dont want this to go on for any longer than it has, im so so SO SO SO tired of fanon june and roxy being trans girls first and foremost over their actual characterization. and im even MORE tired of the word 'girl' being taken in fiction to mean dumb, sweet, (white)feminine, wouldnt hurt a fly, so so cuddlysoft, girlboss it up girlfriend, you cant sit with us, im such a cool bitch, im cooler than you dumb gross boy because im a girl, what personality i dont have one i dont need one because im a girl.

so much of fandom has forgotten that roxy is fucking mean and WILL ignore whatever doesnt fit her whims/wants and will plow through her closest friends and loved ones regardless of the situation at hand because of what she wants. she canonically admitted to harrassing dirk on the daily because she wanted him, because she was lonely and couldnt see past her own hurt to see that she was also hurting her friend. and oh my god, mom lalonde, worlds first abscent mother who swears up and down that she loves you really, rosie posie, its just that mommy's real hungover again and also very busy. that is BRILLIANT characterization for a female character, and its been forgotten behind the big pink bedazzled neon ITS A GIRL sign. and the same has been happening with june!!! and it sucks!!!! us transfems are just people we are JUST people. i dont want trans girl characters only point of characterization to be trans and girls!!!! i dont want talking heads and perfect cardboard cutouts in lipstick!!!! when june happens i want her to be exactly the same as when she was john because thats who i became enamoured with in HS1 and thats who i watched grow up in the epilogues and THATS who i want to see finally find their place in paradox space as herself. i want her personality intact, and i dont want to see her forget or turn her back on her childhood and teen and young adult years. i dont want june to be fanon vriskafied

[mikkeneko]

This post got me thinking about plagiarism as applicable to fandom works, and how like many other things that used to be topics of common discussion and common understanding in fandom, no longer are. Got me thinking that perhaps a touchstone on the topic would not go amiss.

Obligatory disclaimers: I am not an IP lawyer, nor a BNF, nor any kind of authority on matters; I am only familiar with copyright and IP conventions in the United States; and I am speaking from the perspective of "I was present for the discussions that hashed this out in excruciating detail in the _journal days, and this was my takeaway from those discussions."

WHAT PLAGIARISM IS:

1) The direct copying of actual text, that is to say the exact same words in the exact same order, from a source text, republished in an independent context without permission or acknowledgement that the text is copied, without acknowledging the original author, or by claiming to be the original author. 2) A dick move. 3) Grounds for specific retaliatory actions in specific communities, i.e., an academic setting or an archive, which may choose to reject a plagiarized work or expel a member of the community found to have done it.

WHAT PLAGIARISM IS NOT:

1) Illegal, in the sense of being punishable by legal action. 2) Using some of the same words, in sort of similar order to the original text. 3) Using the same title as a different text. 4) Using the same story setup as a different text. 5) Using the same characters, settings, plot elements, or narrative arcs as another text. 6) Translating a text into another language. 7) Reading, saving a copy of a work to your hard drive for re-reading, printing a copy for hardcopy reading, etc. 8) Copying out sections of a text in a comment, or as an excerpt to accompany a work in a promotional post. 9) Using a work as reference material. 10) The only kind of dick move there is.

Thousands of hours of round and round debate boil down to this: You cannot own an idea, but you can own the actual words that you write, and you own those words by default, without needing to take any specific actions to that end. (Proving that you own the words is something that you might, under some circumstances, need to take action to do, but really only if someone else tries to stick their oar in to claim ownership for some reason, which is one of the reasons why plagiarism is A Dick Move: forcing people to defend ownership when they shouldn't have to is inconveniencing and unpleasant.)

Even then, there's a fair amount of wiggle room on the topic of Actual Text which falls under fair use. For instance, if you reference a line or several lines of canon dialogue from a book because you are retelling the scene from a different perspective, that is generally considered fair use, but copying the actual text of the entire scene would not be. By the same token if you had a line referencing canon dialogue in your fic, and another person references the same line of dialogue in their own fic, the other person is not plagiarizing you. And if two people in completely separate fandoms reference the same Hozier lyric as a title for their separate fics, that is not plagiarism either.

I also said that plagiarism is not illegal, because strictly speaking it's not. It's an extremely rude thing to do, but it doesn't become illegal in the sense of being punishable by legal action until a lot of other factors start coming into play, most of them having to do with money. At which point the objectionable action is usually not described as "plagiarism" but as "copyright infringement" or other more legally granular terms. (You'll note that I said up above that you cannot own an idea; whether you can own a specific implementation of a character or a setting is another matter, and where IP law starts getting really into the weeds. But this post is only about plagiarism, not copyright infringement.)

Generally speaking, you can't get the law on your side unless you can pose a reasonable argument that the other person's actions have harmed you in some way, including some financial way. This last distinction is the primary reason why fandom creativity has stuck out as long as it has despite our society's (historically speaking) very restrictive IP laws; IP holders are not losing money to sales if fanfic authors are not selling, and they are not losing reputation or recognition if the fanwork is not seeing wide reach.

WHAT ABOUT AI?

That said, there's an awful lot of breadth between what is considered outright illegal and what is considered a really rude thing to do which may start seeing social penalties accrued. Which is why scraping someone else's Actual Text and doing something like feeding it into an AI bot without their consent is an incredibly rude and unpleasant thing to do, even if it does not fall under the definition of Literal Plagiarism, and if a person does this a lot and word gets out about it, that person may find themselves very unwelcome in the community.

[shiraglassman]

Hey, I know this is kind of a dumb question, but I came across a TikTok about a month ago suggesting that dragons (the western, fire breathing, princess snatching, treasure hoarding ones) were rooted in antisemitic in the same way something like goblins are. I couldn’t tell if it was a joke or not, and it kind of sent me into a tailspin, since I’ve always loved dragons (I read the WoF series ONCE and wouldn’t shut up about it for 3 years), and I was worried that I would have to drop them entirely for fear of offending someone. I can definitely see the similarities between common antisemitic tropes and dragon tropes, but I’ve always heard that the origins of the western dragon were that it was just a scalier of the devil and not meant to represent any marginalized community. However, I am not Jewish in any way, and I’m aware it’s not my place to dictate what is and isn’t harmful, so I was curious as to what you thought. (Sorry about how long this is TuT)

I held on to this ask for a few weeks to try to make sure my response made sense, so here goes. Disclaimer that I'm just one Jewish woman who loves dragons, and I claim no expertise or position of authority. I can't guarantee that someone won't look at your special interests and judge you unfairly. I also can't guarantee that you'll be hyperaware enough and careful enough to catch dogwhistles if they're subtle, compared with ordinary fictional dragons. What I can guarantee is that your average Jewish person is not going to assume you are more unsafe to be around than other unknown gentiles just because you like dragons, but fandom spaces and Tumblr spaces sometimes represent a skewed or specific cross-section of the population and may react differently. I can't make any of those calls. I don't want to tell you to start tuning out marginalized people when we speak about our issues including bad representation, but I also don't think "every Western dragon" is a problem the same way the entire perception of Halloween witches is, for example. For "some reason" (antisemitism) we've decided that big hooked noses are a thing you strap to your face to fake being a witch, or the way witches look in clip art. This is an issue because it takes a simple, neutral feature that some of us have and exaggerates it to the point of looking nonhuman. "Ha ha," says the trope. "Wouldn't it be funny if this trait that these Others have was so different and so jarring in appearance that they looked as different as they truly are, from us, the In Group?"

If the same group of folks who had anxiety about us coexisting alongside them created the witch aesthetic as created the Western dragon lore, and indeed much of old-fashioned European fantasy, it's easy to see how their feelings about us an other marginalized groups (disabled people etc.) creep into the stories. HOWEVER, it's also incredibly easy for dragons to not be us. Or have anything to do with us. If you're nervous when writing your own stories that someone is going to mistake your greedy characters for Jewish-coded, try to establish that real (human or otherwise) Jewish characters coexist with the greedy dragon or whatever to show that you're not using the dragon as a subconscious Jewish reference. But if you're talking about just "can I continue to buy dragon merch from creators who draw cute art", the only thing I can tell you is that there's an intense diversity of opinion among the Jewish people and even though I'm saying it's fine and probably most people at my temple would say it's fine, I can't account for strangers on apps I don't even have. Personally, I think you're safe as long as you avoid dragon things that evoke the trope directly. And many MANY dragons don't even evoke the trope these days, because so many millennials and younger grew up adoring dragons so we launched media where dragons are good. And don't even always hoard wealth. Much of modern dragon media seems to ignore the greedy and/or hoarding tropes entirely or have replaced greed as a motivator for the collections with "this dragon has a special interest", which is cute and doesn't evoke antisemitic tropes at all. You'll probably be able to make good judgments about what does the trope and what doesn't, but for some additional help here is a post Meir and I did on @writingwithcolor, which is where we'd prefer these questions be directed (yes, I know we're closed currently but we're reopening soon.) P.S. If this was sent to my personal specifically to avoid the WWC ask box being closed, please don't — that's an amount of volunteer work I simply can't take on. But I also know that it's possible and likely that you didn't know about WWC at all, so now you do — feel free to peruse our vast archives of past posts. @im-tired1124

[mattomattic]

(Disclaimer: None of this is a commentary on Hazbin itself. I only indulge in shipping for fandom and would prefer Alastor stay single in canon. I'll also be speaking under the assumption that Alastor is aroace.)

As an aroace person, I think the reason I prefer Radioapple to Radiostatic is how the ships interact with Alastor's aspec identity.

Radiostatic

I see the appeal of Radiostatic, yes, but I feel like that ship has a bigger aspec erasure issue than Radioapple does. I can't see a qpr or any very nuanced relationship working with Vox's character.

This is not to say there's a set definition of QPRs and that every relationship is the same. I, myself, am a big fan of relationship anarchy and the breaking down of traditional relationships. But, I don't think it works for Vox? It's headcanon territory, sure, this whole post is, but I feel as if his personality isn't compatible with those ideals. The way the fandom portrays his love and attraction (and what you see in the show) feels as if he knows what he wants and how he wants it. He feels sexual attraction, and that's something he very clearly desires. He's also portrayed in a "I want to be the #1 person you think of" way. He's not changing that, nor does he have to as long as he finds someone who fits that criteria.

In all the depictions of Radiostatic I've seen, it's been very sexual in nature or very heavy on the romantic aspects. I think it stems from the "they used to be friends and Vox wanted to be something more, but Alastor rejected him" headcanon. So when they're paired together, it's usually "What if Alastor didn't reject him?" and "What if he changed his mind later?" Instead of having Vox meet Alastor's needs and desires in a relationship (as he chose Alastor despite him not fufilling his needs), a lot (not all) of Radiostatic content is dependent on Alastor going back on the boundaries he set and compromising on his own sexuality.

This idea of "they weren't enough as they are, and need to be more" irks me, but it's an accurate portrayal of Vox, imo. He doesn't think what they had was good enough or what he wanted it to be, so he tried to change it. Alastor didn't want the same things he did, and he didn't like that. What Alastor was willing to offer wasn't what Vox wanted. He's unwilling to accept that and became bitter and Alastor, too, in return. While it's interesting to see how they could change and get over that and get to a point where they could work out, the way I've seen it done just doesn't hit the mark without some major tweaks to their character. Rather than experimenting with Alastor's inability to return Vox's feelings in the same capacity, people just forgo that entirely and write it so he eventually does.

I can't see the ship working out unless Vox prioritizes Alastor. Alastor's asexuality and aromanticism are disregarded so often when people are shipping him. He's always having to set aside his identity for the other person, or there's an "exception" to his sexuality. With Vox, that is so often the basis of their relationship. I don't like it. Maybe I just haven't seen enough content, but idk.

(Rest Under the Cut)

Radiosilence

It's for those same reasons that I think Radiosilence is so enjoyable.

Radiosilence is a tragedy of sorts, as is Radiostatic, but I think this version is better in that the joke is on Vox. The change has to be made on his side and not Alastor's. Alastor is not attracted to him in the same way Vox is, and that isn't an issue. He's allowed to feel that way, and that isn't his fault or wrong.

Vox's desperate pining is both sad and comedic. Vox can't always get what he wants, and it's clear that Aroace people aren't something you can "make love you" if you try hard enough. Alastor isn't playing hard to get. He does not like him like that and will not. Vox isn't willing to compromise, so he's left behind. Alastor doesn't have to compromise. He gets to live how he wants, and Vox is only an annoyance at this point. Radiosilence is such a good portrayal of aroace experiences and people who can't take no for an answer. It's so good.

Radioapple

With that being said, I am biased. I am a huge radioapple fan. Being transparent, some radioapple shippers have the same issue that Radiostatic ones do. I have seen my fair share of "Alastor's sexuality doesn't really matter in the long run" in Radioapple content. The sheer amount of "heavily sex based relationship" content despite his CANON asexuality (when they could easily get away with the "Alastor isn't canoncially Aro!" shtick instead) is astounding.

However, I've also seen so much more queerplatonic representation in this ship than I ever have before. The non-traditional romance dynamics I've seen in the fandom make me so happy. As someone who's inclined to ships that don't show affection in a "normal" way as it's easier to view them outside of typical amatonormativity, Radioapple really does it for me.

To expand on that last statement, I think it's the nature of their dynamic that offsets those shipping and sexuality issues, for the most part.

Their whole relationship starts with arguing and bickering. From the get-go, there is no preface of romance or traditional relationship development. They start off rocky yet weirdly obsessed with each other. Instead of having someone be interested in Alastor and him not reciprocating or being chased after, it starts with Alastor's interest. While that initial intrigue isn't particularly romantic, it's very personal. Alastor wants to piss Lucifer off, wants to push his buttons, and it works. All Lucifer does is fight back in earnest.

He isn't doing anything he doesn't want to do. With how they are portrayed in fandom, Alastor keeps needling him, and Lucifer pushes back. Their dynamic is built on something other than romantic chemistry. Sure, how touchy with each other and how close they get isn't typical for two people who hate each other, but theres nothing saying that can't be platonic in nature.

In what I've read, the way Radioapple develops is into a strange sort of friendship or kinship first and foremost. They don't start doing anything romantic or remotely sexual (unless you count the cannibalism / drinking Lucifers blood dynamic, but that's hardly ever an attraction thing on Alastor's side! It's usually Lucifer's attraction, which I'll get to in a moment). They still bicker constantly, and the base of their relationship is still the desire to pick each other apart, but they add things to it.

They add conversations, they add outings, they add late night bonding, or cooking, or anything else people like to include. Rather than changing either of them or their relationship entirely, they only begin to include what they are both comfortable with.

In a lot of depictions, it is Lucifer who falls first. He's the more "emotionally in touch" of the two (though he has his own issues with vulnerability that we see in Canon). There's a lot of content where he is head over heels (+ some denial and frustration) and constantly pining.

However, in a majority of these, he doesn't actually go for it. He has an understanding of Alastor's boundaries and lack of desire or inclination for relationships (even if he doesn't know it's a sexuality thing or why) and keeps his feelings to himself. And it's never portrayed as Lucifer being wrong for having these feelings for someone who is Aroace or uninterested, but rather manifests as "he wouldn't like me back and that's okay, I'll have to get over it".

In the same way that I think Vox's portrayal as "not satisfied with what him and Alastor had and wanting more" is accurate to his character, I think Lucifer's "satisfied with what him and Alastor currently have, but wants more" portrayal is accurate to him.

We see it with how he treats Charlie. It's obvious he wants a strong relationship with his daughter, but he's more than willing to cherish exactly what she's giving him. He doesn't ask for more. He tries to fulfill her needs and be there for her, but doesn't reach out for more than she'll let him. It comes with a whole load of issues with his self-esteem and mental health that's more fitting for a character analysis, but the point is that he appreciates things as they are, even if he does still wonder about what they could be.

That's what charms me about Radioapple. Lucifer is so willing to meet Alastor on his level. When they begin to reach more affectionate territory, Lucifer is naturally inclined to take it at Alastor's pace. He isn't settling, and Alastor isn't changing himself. When he does build up the will to ask for more from Alastor, he does it with compromise in mind rather than the "getting what I want" attitude you'd see in Vox.

The ship works so well with Alastor's identity because, in all honesty, you don't need to view any of their interactions as romantic. They can do things like kiss or cuddle or something that can be seen as romantic, but it can just as easily be platonic or queerplatonic.

It's easy to adjust the frequency of each activity in their relationship to how you personally view Alastor's take on it (ranging from "only does it for Lucifer on ocassion to make him happy" to "enjoys it and prefers this aspect of the relationship to others"). He can have off days where something he was comfortable with before (i.e., physical touch) isn't doing it for him or upsets him, and it's believable to think Lucifer would take that in stride. You can realistically write Lucifer having an adjustment period to Alastor's needs and habits that bring them to an understanding and still be in character.

In turn, Lucifer's efforts are recognized. It's an important part of their dynamic that Alastor is doing this because he wants to. Whether you write them as queerplatonic, romantic, or even sexual (those frequency shifts apply there too! Ranging from never to whenever the mood strikes.), Alastor is engaging of his own volition. Lucifer's respect for his needs and boundaries (as long as they're properly voiced, he's not a mind reader) lowers his guard. It allows him to consider the possibility of a relationship with him because he's already built trust!

The trust is so, so important. With Radiostatic, that trust was already broken once and needs to be rebuilt. That can be super interesting in a narrative, but Alastor is inherently someone who doesn't trust others. It would take so much work for them to get there, and Alastor sure as hell isn't the one to initiate that.

With Radioapple, Lucifer is the one to initiate that. He builds the foundation of trust and starts the "maybe this guy isn't as terrible as I thought he was" dynamic, even if unconsciously*.

(*Big fan of oblivious Lucifer who keeps thinking Alastor doing nice things is some evil plot, but begrudgingly going along with it to "figure out this guy's deal." Bonus points if it is an evil plot, but Alastor gets side tracked and ends up enjoying Lucifer's reactions, making it partially or entirely real. But thats just me.)

For Radioapple to work, Alastor doesn't have to feel sexual attraction. He doesn't have to feel romantic attraction. Hell, he can even be repulsed from either concept, and it could still work with some clear communication, labeling, and boundaries.

I didn't go too into what Alastor could want from or feel about Lucifer in this. There's a lot I could say on his lust for power, the fueling of his ego, the picking apart of a being so high above his stature, the quiet company, the understanding, and other things. The same goes for the concept of Lucifer letting Alastor treat him as he does (without respect for his status) because he enjoys being viewed as a person and not just as king. But that's because it goes a little too much into "these are the tropes I love in this ship" territory than I already have in this post. It's already very much my personal opinion, no need for more of that. This was mostly about Alastor's sexuality and shipping compatibility, after all.

Conclusion

Radiostatic is fine. Not for me, but it's cute, and I see the appeal. There's so much potential there for interesting dynamics, I just think it's better unrequited. The shippers are also so talented. Some of the art I can't help but like because it's so damn good. I can't lie. Some art has almost made me a shipper, had it not been for the reasons above. Keep it up!

Alastor's sexuality is such an intense topic in the fandom and in discourse. I'm a firm believer in do whatever the fuck you want, I'm not your boss. But I do think it's nice to see aroace rep and non-amatonormative dynamics in fandom. Even if the vessel for that is shipping. I said it earlier, but I love how well qprs are represented and how popular the tag is now on AO3. It's great.

Do I want these ships to become canon? Besides Radiosilence, absolutely not. I would like my very clear and obvious Aromantic Asexual Alastor in the show itself. I like seeing people like me on TV. I like the lack of romantic relationships. I like how openly queer he is without it being tied to sex or romance. It's refreshing.

Do I think people should use that as an argument against shipping? No. I understand the disappointment, I understand the discomfort. I feel it sometimes. But when it's done well with actual respect to his identity, I think shipping can be really fun. Curate your own experience with fandom instead of hating on others.

Like the stuff you want to see and avoid the stuff you don't. The point is to have fun and enjoy the content you like!

[krash-and-co]

hey krash, i wanted to reach out and say that i'm so sorry that you got such a hurtful reaction from one of the l&co servers for speaking up about something that genuinely needed to be addressed. i won't badmouth anyone in particular but this is not the first time this fandom has dogpiled someone over a misunderstanding, and when it happened to me i had severe anxiety over it for about a week even after it was resolved, and eventually left because of it. it left a pretty bad taste in my mouth for the fandom in general, so i mostly just stick to my small group of mutuals now lol. i wish this fandom truly was different from other fandoms, but this kind of thing is unfortunately inevitable once something reaches a certain level of popularity. but that certainly doesn't make it okay, and you didn't do anything to deserve the reaction you got. i hope you can feel peace about it soon, and i'm sorry again that it happened at all. 🫂

(please don't feel pressured to answer this if you'd rather the matter be left alone, i totally understand. i just wanted to send you an ask because i didn't know if you're comfortable with dms.)

hi im so sorry i forgot to answer!!! thank you so much this means so much to me. 💙💙💙 i read this for the first time when i was feeling pretty attacked and it really cheered me up <3

hmm other people have been telling me about how they got attacked in this fandom too. and maybe this shouldn't have surprised me as much as it did. but it's something fans never talk about and claim doesn’t exist, so i thought it didn’t. i was horribly fooled lol. as, uh, i am about to rant about; do you mind? u don’t have to read it, i won’t be offended, but halfway thru answering this ask it turned into a rant i wanted to release into the world lol, so sorry about that 😭😭😭

very important disclaimer!!! this is NOT about everyone. ABSOLUTELY NOT. most of you are absolutely amazing people, and i assure you if ur worried this is about you, it’s prob not lol

ANYWAYS!!!

im kind of feeling i was betrayed?? ig? i rlly believed everyone was so kind, and look what i know now. it genuinely seems like people are gaslighting themselves. how else do they only see our ‘harm?’ yeah, our fandom is known for being passionate, but saying we’re known for kindness is starting to make me sick. maybe we were, i know a lot of us still are, but throwing that out there in the middle of your hypocritical hate post seems like justification for the shit things people have been saying. you can say no wrong so long as you’re here. only people who don’t agree with you. so yeah, fuck krash and ljc and anyone else who doesn't agree!!! that totally shows how kind you are and how much you loved the fandom before we messed it up. nobodys visibly mad, cuz we're too scared to say shit!!!

i’ve seen too many examples of the contrary from the “victims,” wailing about how cruel we are the second they disagree with someone. (in a highly hypocritical manner, at that.) “everyone was so happy before this!” no, they weren’t, that’s why i brought it up. “stop bringing hate to this fandom! now let me fucking berate you!” do you even hear yourself? “nobody even cared before, we were all content!” we weren’t all content, we were just silent. it sometimes looks the same.

someone even declared they were leaving the fandom because ‘one person wanted to stop show saving efforts entirely because it traumatized them, and this is no longer a safe place.’ like, what? where did you even get that? for one, there were at least two of us posting together, and that’s just barely knowing anything about what’s happening. thats not even touching on how one of us (idk who the op of that post was talking about, it’s a 50/50 lol) made the fandom an unsafe place for our personal gain. what?

hella kind. hella safe on their part.

another said they saw only old fans agreeing about this so it’s just us being pissed about change. it’s us hating the show. me and ljc being upset about not being the only “big blogs” any more. our fandom is only for the elite, etc. fuck us. yet ljc is getting blackmailed. we’re getting hate replies. friends that try and help get attacked. misinformation spread. how did that even happen? we never once tried to hurt anyone; thank you to those who understand.

but to some, WE’RE the ones in the wrong.

do they SEE themselves? how hypocritical all of this is? or are their heads that far up in the ass of their petition and beloved fake idea of this fandom that they care about more than all of us?

now, this is where i add another “not everyone” message. not everyone is like this, this is not me saying i hate the petition or people who support it. hell, i signed the petition. twice. and once more from my mothers email.

i don’t regret the i love you posts i made, because i still do love this fandom, i am still absolutely here for the rest of yall. but DAMN if we weren’t hiding something under happy Save The Show, I Love Locknation! messages. perfectly smiling faces until they bite. i was surprised to see how many people did.

as if our previous problems weren’t enough, now it turned into this lol. no, that’s a lie, it didn’t. it already was, and i HATE THAT.

ig im kinda spoiled, i never really experienced hate like this from this fandom before. but now i know it happened BEFORE too, and that just pisses me off. it hurts coming from a group who says they love us. genuinely wacko (not the fun kind) behavior :[

i know this isn’t everyone’s experience, but it is mine, and enough others to make me wanna say this. and this is ofc me and @lucy-j-carlyle 's brand of hate, not yours. but it does happen and the constant chant that IT DOESN'T IT DOESNT IT DOESN'T isn't helping anyone. and now I know.

idk what im even saying anymore lol, sorry for ranting. what i mean to say is, thank you, and i wish things were better. and i love you kind people. im happy it’s most of you.